A Quote by Sherman Alexie
That's how I do this life sometimes by making the ordinary just like magic and just like a card trick and just like a mirror and just like disappearing. Every Indian learns how to be a magician and learns how to misdirect attention and the dark hand is always quicker than the white eye and no matter how close you get to my heart you will never find out my secrets and I'll never tell you and I'll never show you the same trick twice. I'm traveling heavy with illusions.
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People think they want to know how magic works, but really they don't. How it works is never as amazing as what the trick was in the first place, so it's never going to make you feel good. Somebody just wanting to know how a trick works is never enough to make me want to tell them.
You find there's no magic trick, sometimes in the shower, sometimes you're just lying in bed calm, sometimes you're just enjoying life and just have a notepad, it's never far away. Always have a notepad on you, because you never know what's going to happen, take a moment and write it down the minute that comes in your head. Even if you can't deal with it until later, I've had that experience where I was in a wedding party and I'm on stage, I'm like, "I hope I don't forget this, something just occurred to me."
Anyway, it doesn't matter how much, how often, or how closely you keep an eye on things because you can't control it. Sometimes things and people just go. Just like that.
Every time I do a play, it's as if I've never done one before. I'm always confused. I always am convinced I'm going to be fired. I'm like, 'I don't remember how to act. I don't know how to do this.' And, it's just a very slow process, and then, all of a sudden, it's just there one day. I still don't understand how it happens.
There are people who follow me on Twitter and tell me how much they don't like me, how much they don't want me on the show, and that they hope I die. And it's not just about the character. They tell me how they've never liked Scott Foley, and that he's a stupid, white, plain-bread looking fool.
One of my rules is never explain. A writer is a lot like a magician, if you explain how the trick works then a lot of the magic turns mundane.
Beyonce was just always full-out. She's like a beast. So you learn that no matter how you feel, just do it. Just like Nike: 'Just Do It.'
No matter what you tell me, no matter how legitimate your reasons, I can never just forget about you, I can never push the years we spent together out of my mind. I can't do it because it really happened, they are part of my life, and there is no way I can just erase them. That would be the same as erasing my own self.
And if I'm ahead, I can sometimes tell. It might mean I'm having a good swim, but pretty much, I'm just focused on how fast I'm going, how fast I'm feeling, and pretty much block everything out, the sounds, the sights, just kind of listen to the rhythm of the water, and just maintaining the same stroke, the same rhythm, the same tempo, and thinking about how I want to get my hand to the wall.
And the nature of magic is all in the person's experience. Whether the magician is using a highly complex sleight of hand or he's just got two cards that are the same, it doesn't matter: it's how it's sold and how magical it is for the person that matters.
I sometimes get asked: 'How come the men in your stories don't have such strong characters?' And I'm like: 'I don't care.' I just want to find out about all the different lives a woman can live. But my feminism has never been against men. It's not erasure; it's just they're not the focus. In real life, they're quite nice.
I think my philosophy has evolved over the years. I started teaching almost 15 years ago and I've learned that how one student learns is obviously much different than how another student learns and so I've had to figure out how to get through to people honestly without hurting their feelings - which is no easy task just in the scope of being a human being, much less in the classroom, but which is something that is more important to me now than it was when I was 30 - and to show them a path to improving.
When you're learning how to do magic, the first rule is 'never reveal a secret.' In a way, by telling someone I'm a magician, it kind of gives away the best secret of all... How interesting to take the magician out of the equation of a magic show.
I'm always just very nervous. I never feel like, 'I've got this'. I'm always very nervous and aware of how quickly people can hate you and that scares me. I never feel like I'm on top of it or I know what I'm doing... so, no. I never get a big head, I just get more and more anxious.
When I'm traveling a lot the flight attendants will ask what I do and if I say I'm a magician then I have to do a trick. But if it's a red eye flight and I haven't slept at all, I'll say I'm a comedian. And then they say, "Do a joke." But if you're a magician you should be able to do a trick anywhere, any time of day. And if it's not the best situation to showcase what I do then I'll offer them tickets to my show that night. Trying to do a magic trick right outside of an airplane lavatory isn't the best viewing conditions.
You just - no matter how good things are, or how bad things could be, there's always going to be negativity or something like that going on, and you just gotta, you know, embrace it, I guess. But don't let it dictate kind of like how you're going to live.
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