A Quote by Sherman Alexie
and then she asks me how many sexual partners I've had and I say one or two depending on your definition of what I did to Custer . . .
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There's an honesty to the wolf world that is liberating. There's no diplomacy, no decorum. You tell your enemy you hate him; you show your admiration by confessing the truth. That directness doesn't work with humans, who are masters of subterfuge. Does this dress make me look fat? Do you really love me? Did you miss me? When a person asks this, she doesn't want to know the real answer. She wants you to lie to her. After two years of living with wolves, I had forgotten how many lies it takes to build a relationship.
It was the easiest thing in the world for Arya to step up behind him and stab him. “Is there gold hidden in the village?” she shouted as she drove the blade up through his back. “Is there silver? Gems?” She stabbed twice more. “Is there food? Where is Lord Beric?” She was on top of him by then, still stabbing. “Where did he go? How many men were with him? How many knights? How many bowmen? How many, how many, how many, how many, how many, how many? is there gold in the village?
Almost everything can be construed as sexual harassment depending upon the way it is said. One general rule of thumb is to think of your female co-workers as you would your sister. Yes, she is a woman. No, she is not a sexual object. Yes, your parents probably like her more than they like you.
WOMEN lie about sex. It doesn't matter how many partners she says she's had before you. She's lying.
As they say on my own Cape Cod, a rising tide lifts all the boats. And a partnership, by definition, serves both partners, without domination or unfair advantage. Together we have been partners in adversitylet us also be partners in prosperity.
The problem with every judgment of sexual behavior is that it is made by people who aren't being stimulated as they are making the judgment. A jury that sees a woman in a sterile courtroom, asks her what she wanted, and then assumes that anything else she did was the responsibility of the man is insulting not only the woman but the power of sex.
My kind of nightmare quote is from Deborah Tolman, who does research on girls and desire and is, I think, brilliant. She told me that by the time girls are teenagers, when she asks them how sexual experience made them feel, they respond by how they think they looked; they think that how they look is how they feel.
The procedure was that an artist got a mural and then he would have anywhere from two to ten assistants depending on the size of the mural and how many assistants he needed, or she needed.
My mother was very passionate about life and she would do anything for us. And she had to fight alone to raise us. We never had a lot of money for extras or anything. She had to work six days a week, and then she would do breakfast, lunch and dinner. She was a super-woman! For me, I don't know how she did it with three kids.
There is a classic moment in ‘The Sun Also Rises’ when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, “Gradually and then suddenly.” When someone asks how I lost my mind, that’s all I can say too.
What? she said once to herself, and then once aloud, What? She felt a total displacement, like a spinning globe brought to a sudden halt by the light touch of a finger. How did she end up here, like this? How could there have been so much - so many moments, so many people and things, so many razors and pillows, timepieces and subtle coffins - without her being aware? How did her life live itself without her?
My wife asks me, when I get home from auditions, if they asked how tall I am. And if I say "Yes," then she says, "Okay, you didn't get that job."
She put a hit on her boyfriend, so it's not like she hasn't murdered someone." "And you know that how?" Sam asks. I'm trying really hard to be honest, but telling the whole thing to Sam seems beyond me. Still, the fragments sound ridiculous on their own. "She said so. In the park." He rolls his eyes. "Because the two of you were so friendly." "I guess she mistook me for someone else." I sound so much like Philip that it scares me. I can hear the menace in my tone. "Who?" Sam asks, not flinching. I force my voice back to normal. "Uh, the person who killed him.
A man goes to a barbershop and asks, How many ahead of me? Five. The man leaves. He comes back the next day and asks, How many ahead of me? Four. The man leaves. He comes back the next day and asks, How many ahead of me? Six. The man leaves, and the barber says to another, Follow that man! The man comes back and says, He goes to your house!
If I get stuck, I look at a book that tells me how someone else did it. I turn the pages, and then I say, 'Oh, I forgot that bit,' then close the book and carry on. Finally, after you've figured out how to do it, you read how they did it and find out how dumb your solution is and how much more clever and efficient theirs is!
I heard police or ambulancemen, standing in our house, say, 'She must have provoked him,' or, 'Mrs Stewart, it takes two to make a fight.' They had no idea. The truth is my mother did nothing to deserve the violence she endured. She did not provoke my father, and even if she had, violence is an unacceptable way of dealing with conflict. Violence is a choice a man makes and he alone is responsible for it.
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