A Quote by Sherman Alexie
I felt so conflicted about having fled the rez as a kid that I created a whole literary career that left me there.
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In high school I dated a white woman. She would come to visit me on the rez. And her dad, who was very racist, didn't like that at all. And he told her one time, 'You shouldn't go on the rez if you're white because Indians have a lot of anger in their heart.'
I couldn't have accomplished the things in my career if I didn't practice, and the worst part about that whole thing is when a kid comes up to me and says 'Allen, I don't like practice, either.' I've got to straighten that kid right then.
I've seen the smiling of Fortune beguiling, I've felt all its favours and found its decay; Sweet was its blessing, kind its caressing, But now it is fled, fled far, far away.
It was more important to me to understand what its like to be this Jewish kid who felt he was so different at such a young age. I feel the story is about a kid who came to hate through love, so I felt I had to learn why he loved this thing so much that he also apparently hated it.
I always felt sorry for the sidekick as a kid. They never got their due and it left a very bad taste in the mouth - they are defined by a subordinate relationship to someone else. I always felt like a bit of sidekick when I was a kid and it didn't feel fair.
I felt really conflicted about making money off stuff that's creatively satisfying.
There's something different about growing up black and Muslim, especially in New Jersey. It's like when I left the mosque and I left my dad, I felt unprotected, but I also felt a weird sense of pride, like I was involved in this other way of living that was cool to me.
For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that’s because my parents always treated me as an adult.
For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that's because my parents always treated me as an adult.
I've spent my whole literary career blurring boundaries between genres and categories.
For me, heaven would be a lack of alienation. The whole time I was growing up, I felt comfort was inherently evil. I think that, for me, heaven isn't about couches and milk shakes and never having a troubling thought again.
For me, heaven would be a lack of alienation. The whole time I was growing up, I felt comfort was inherently evil. I think that for me heaven isn't about couches and milk shakes and never having a troubling thought again.
In my whole career, all I wanted was acceptance from Kid Cudi. I don't care about nothing else! This dude saved my life.
Being a Barrymore didn't help me, other than giving me a great sense of pride and a strange spiritual sense that I felt OK about having the passion to act. It made sense because my whole family had done it and it helped rationalise it for me.
Despite being from Ireland, I've always avoided writing about it, for two reasons. For a very small country, Ireland has produced an astonishing number of literary geniuses, and at some level I probably never felt, having left as a toddler, that I had the right to try and add my voice. That's part of it. But I also didn't want to write something that was the equivalent of the Irish theme pub. You find them all over the world. The idea of producing a novel that might replicate that type of ersatz really set my teeth on edge.
My whole 'WWE' career has been rebuilding myself and finding the confidence that I once had. It's been one hell of a journey. There have been times I felt like the prodigal son because I left wrestling and abandoned this thing that I loved.
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