A Quote by Sherri DuPree
My dad and I collaborate on the artwork. He does all of the design and layout. He uses my sketches and drawings or weird things to mix into it or put on the merch.
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I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.
I like the drawings. And as a photography fan myself, I would look at Helmut Newton or Irving Penn and like to see the initial notes or drawings, to see where the ideas grew from. Also my sketches are key to my work because I came to realise early on that by doing drawings, I could formulate a plan of what I was thinking of - I could take control and direct the work.
I changed the layout of comic books in general. When I came in, layout design wasn't really part of what you did. It was all just panels, panels, panels. So when I came in, I thought, 'Nah, let's change that,' and I designed the page.
My dad used to give me old electrical equipment that didn't work anymore, and I'd put things together. I think that's why I like to mix things that don't belong.
I have a horrible habit of buying merch tees. I go on people's websites and look at all their merch because I'm interested in it, because we sell merch, too. And then, I always end up buying something.
Anyone with a computer and a design program can create a page layout. But unless you're trained in design, it won't look very good and it won't communicate very well.
My mom's family is Russian Jewish, and my dad's Puerto Rico Catholic, so it's kind of a weird mix.
All the records I've put out have had either artwork that I did while I was young or something that my Dad painted.
My drawing skills probably froze around when I was 18... Now I'm more interested in the story, how the drawings, the layout can help express the stories and communicate them.
The big thing on the horizon for me is video. I feel like it's the closest thing to a perfect mix between music and design, because it has the motion and it has the dynamics of music, while at the same time having the aesthetic components of design. It's a nice mix.
All the drawings and sketches and clothes of Yves Saint Laurent in the '70s were so colorful, so bright.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
I'm not going to work with a company that uses my artwork, which is precious to me, and not allow me to do certain things.
I have been asked to collaborate with fashion houses using my artwork, which I will probably do.
My doodles and sketches are not the work of an academic engineer. They represent many years of design study in attempts to produce the best value for money in the field of small car design.
It seems to me that information is the thing which uses matter, uses light, uses spirit, uses whatever it can put its hands on to organize itself into higher and higher levels of self-reflection.
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