A Quote by Sherri Shepherd
My grandmother taught me that accomplishments meant less than what you left behind. I started to ask myself what impact my comedy would have on people's lives. And that changed my act. I got cleaner. I stopped talking about generic stuff like airplane peanuts and started speaking the truth about my gift.
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I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
My dad plays the fiddle. He stopped playing for years. He was playing when I was a baby, and then he stopped for about five years, or ten years, he says. Then all of a sudden he started playing again, and we all got interested. We started having people like Ciarán Tourish coming up to the house, and Dinny McLaughlin, who taught Ciarán, and who taught myself as well. And it just grew from that
As I started getting older and started to learn about the world, my friends would tell me about video games and dirt bikes and stuff, and I'd be like, "Oh, I got none of that." I started asking questions, like, "Why we can't get this stuff?" And it was like, "Well, we work hard to make sure da da da..."
I started out writing when I was young; stuff about exposing the truth about how people are not what they appear, about how they are much more dysfunctional than they seem. Pulling back the curtain - that felt smart. But as I got older, exposing how frail people can be seems less and less deep.
I started in comedy when I first started as an actor on stage and doing improvisational theater and stuff like that. So a lot of people who know me know that sort of side of me. But I got the roles that I got as an young actor kind of steered me in a different direction, which were, at times, darker characters. And so comedy was not something that came easy for people to think of my in those terms.
When eventually I started to act a bit more, I realised that circus school had taught me something that a lot of actors my age didn't have: physicality. They didn't know how to move. Acting is not all about talking. There is something animalistic about it.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
I stopped worrying about people; I started thinking that I would be answerable only to myself.
I remember I started isolating myself. I stopped going to church and believing in God. People would say to me 'Be happy,' and I was like that's easier said than done.
It's strange. No one ever really talked to me about my voice. People started writing about it, and I was like, 'What?' I'm really about my lyrics, but more people were talking about my voice. It's cool, but at first I got upset because I wanted people to focus on the content.
And when I stopped doing that and started thinking about what feels natural and what feels right to me and started pleasing myself, then it became good.
Once I got to be about twenty-five, I got interested in the music of the time. I started smokin' dope, I started drinking, I started slowing down and trying to find myself. I didn't want to work in nightclubs.
Yeah, I love A Nightmare on Elm Street. I was just a fan. I was such an avid fan. I remember being on the set talking about a sequence and he started asking me about maybe staging it a little different. I realized - I think he was shocked that I knew his work so well - I remember I started going like, "Why don't we do it like The Last House on the Left, where you had the girl on the ground..."
I initially started making videos about my hair because I was struggling to style it and didn't know where to find help. Similarly, I started creating comedy content and doing characters and talking about things that were important to me because I didn't find a place to do that in the career that I wanted as an actress.
Racial humor was about 35% of my act when I first started. But I realized that it was a crutch. What brought it home was when another comedian said to me, 'If you changed color tomorrow, you wouldn't have any material.' He meant it as a put-down, but I took it as a challenge.
I always want my standup act to appeal to everybody in the room, and when I started standup, and I would see people talk about their kids and their wife, and I'd always cringe a little bit, like, 'I can't get a date, I don't know what you're talking about.'
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