A Quote by Sherrilyn Kenyon

But I have a gut feeling on this and it’s not the oh-look-it’s-a-bright-shiny-world kind. (Tate) — © Sherrilyn Kenyon
But I have a gut feeling on this and it’s not the oh-look-it’s-a-bright-shiny-world kind. (Tate)
Want a closer look? (Tate) Like a screwdriver through my eye socket. Sure, let’s have a look-see. (Simone) Ooo, welcome back, Ms. Snark. I’ve missed you. (Tate)
Can you just saw his arm off while we're here and get me loose? (Amanda) I could do that, but he needs his more. I'd cut yours off before I did his. (Tate) Oh, great, what are you, his Igor? (Amanda) Wrong movie, Igor was Frankenstein's flunky. Renfield is the one you're thinking of, and no, I'm not Renfield. Name's Tate Bennett. Parish coroner. (Tate)
Managers used to say, 'I have a gut feeling.' Do you know what a gut feeling is for a professional manager? It's a pattern that they recognize. But if your system can recognize that pattern, if it's not just a couple of managers who know that pattern, then the system's gut feeling can tell you which way to go. That's really liberating.
You can point any kind of laser at my face, but I don't think Botox is for me. I think it is bad. People who have too much, they look like their faces are full of candles - a shiny, shiny face.
Those who were so long imprisoned in ice and darkness seem to find the sunlight jarring, painful. The longer I walk around with this grief inside me, the more I understand that. It’s as if sunshine is a slap in the face that says, Look, the world’s all bright and shiny! Too bad you’re not.
Look at the stars! Look, look up at the skies! Oh look at all the fire-folk sitting in the air! The bright boroughs, the circle-citadels there!
I've tried to create a comedy that doesn't look like any other comedy. Maybe traditionally in TV there has been a kind of formula that says, 'Oh, comedy has to look this way; it has to look super bright.' But the way we shoot 'Insecure' is motivated by the mental state of each of our characters.
Love starts with a gut feeling, but that gut feeling better be nourished.
It's a gut feeling. And when two people have the same gut feeling, you have a brand.
I think that wealthy white people would like to have a country that resembles the Fifties, when all the minorities were tucked away in ghettos and paid in very low wages but on the surface it was very bright and shiny and free and the rest of the world would look on it longingly.
I realised that the 'future' is different to how I imagined it. When I was a kid I thought it would be a bright, shiny Tomorrow's World. It isn't.
Tate grabbed me, hugging me so hard, I knew I'd have bruises. He was probably unaware of it, not having had much time to get used to his new strength. I pushed at him, "Tate...you're squeezing me too hard." He let go of me so fast I almost staggered. "Oh Christ, I can't do anything right!
If you look at the history of Wonder Woman, you look at the iconography, the images that have kept her alive - they're not dark. The thing I think is so important to always keep in mind about her is how positive and bright and shiny she is - very much in the same way that Superman has been.
Forgotten tones of love recur to us, and kind glances shine out of the past--oh so bright and clear!--oh so longed after!--because they are out of reach; as holiday music from within a prison wall--or sunshine seen through the bars; more prized because unattainable--more bright because of the contrast of present darkness and solitude, whence there is no escape.
My method is the magpie's: I look for shiny things. That is, I look for concrete material details of daily life, and I look for vigorous prose, which is the only kind I can read for very long. That effectively bars a great deal of scholarly work, but I didn't feel its loss.
I look for scripts that give me a gut feeling that this is going to work.
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