A Quote by Sherrilyn Kenyon

And I flunked anger management the moment I put the counselor through a stone wall. You might want to keep that in mind. [Thorn] — © Sherrilyn Kenyon
And I flunked anger management the moment I put the counselor through a stone wall. You might want to keep that in mind. [Thorn]
Ed Welch says that all counseling is a variation on a single theme: knowing and praying for the counselee. Of all the questions the counselor might ask, then, the central guiding question in the counselor's mind is, "How can I pray for you?
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
The world is a stone wall ... and they have put the stones so close together that there is not a single crack through which one may enter.
Water and stone Flesh and bone Night and morn Rose and thorn Tree and wind Heart and mind
For each of my novels, I've had something of a eureka moment of deciding what world I want to set it in - Wall Street, the pop-music industry, Harvard - and what the very vague contours of the narrative might be (which typically get changed a lot through the writing process).
Christ hath instituted Baptism as a bath, to wash away the anger, and hath put into us the Noble Stone, viz. the water of eternal life, for an earnest-penny, so that instantly in our childhood we might be able to escape the wrath.
My dad's a history buff, and I spent a lot of time on Hadrian's Wall. I became fascinated by the idea of what was so terrifying up there that the Romans built a 60-mile long, 30-ft-high stone wall to keep it out.
Always keep your anger bottled up. You might need a bottle of anger some day when friends come by and won't leave.
If you really want to go after something, you have to keep hammering at the stone whether or not the first hit or the 100th hit breaks the stone. You've got to believe that the stone is going to break.
I immediately went out and bought a book on anger management. And now I have that book, and I don't know if I'll get to the book. But I'm certainly excited about the day where I can't find the book, and I get to say, 'Where the hell is my anger management book?!'
I was never jailed. The fact is that I was arrested, but I went into a diversion programme, and by that time I'd already begun working in what was called anger management. It was a painful and awful moment.
For me, boxing was a way of me exercising my frustration, anger, sense of injustice, but also a way of owning my space and taking up space. Which I think as a woman in the art world is essential for surviving. You have to become comfortable going like, 'OK, I'm going to take this wall, this wall is mine, I'm going to put my work on this wall.'
I'm an ensemble guy, I guess - that comes from the theater. If I ever won some kind of award someday, I imagine I'd try to be very gracious, but in the end, I just want to keep working. I don't see why that, if you just put your mind to it and keep sowing the right seeds, you can't keep doing the things you want to do.
About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie.
Management did not emanate from nature. Management is not a tree: it's a television set. Somebody invented it. It doesn't mean it's going to work forever. Management is great. Traditional notions of management are great if you want compliance. But if you want engagement, self-direction works better.
We ought to say, "Occupy Wall Street, not Iraq," "Occupy Wall Street, not Afghanistan," "Occupy Wall Street, not Palestine." The two need to be put together. Otherwise people might not read the signs.
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