A Quote by Sherrilyn Kenyon

So, Magellan, where are we going? (Danger) Away. I’m open to any location, so long as it doesn’t involve returning to your house while Wart-Head is there. — © Sherrilyn Kenyon
So, Magellan, where are we going? (Danger) Away. I’m open to any location, so long as it doesn’t involve returning to your house while Wart-Head is there.
For research, I like to go to the location of the places in the novels. The first thing that I do is involve my senses: I notice the smells; I open the trash cans and look at what people have thrown away.
What do you mean you live someplace where there aren’t any humans? (Danger) In a realm far away from here. (Alexion) Is that like in star Wars? A long time ago, in a galaxy far, far away? Want to tell me where your Tatooine is located? Is it anywhere in this universe? Near Toledo maybe? The one in Ohio or Spain? I’m not picky. Can I MapQuest it? (Danger)
If you happen to have a wart on your nose or forehead, you cannot help imagining that no one in the world has anything else to do but stare at your wart, laugh at it, and condemn you for it, even though you have discovered America.
It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.
You don't get rich, you don't often have much fun. Sometimes you get beaten up or shot at or tossed into the jail house. Once in a long while you get dead. Every other month you decide to give it up and find some sensible occupation while you can still walk without shaking your head. Then the door buzzer rings and you open the inner door to the waiting room and there stands a new face with a new problem, a new load of grief, and a small piece of money.
One can generally say this about men: that they are ungrateful, fickle, simulators and deceivers, avoiders of danger, greedy for gain; and while you work for their good they are completely yours, offering you their blood, their property, their lives, and their sons when danger is far away; but when it comes nearer to you, they turn away.
I just love how everyone with that Motown sound seemed to come from a two-block radius from the actual original location. The original location was a house, and then when they outgrew it, they bought the house next door and the house next door and the house next door until they had seven houses on the same lot.
Do you think I should stay away from him?" I asked in a scratchy voice. Todd took a long time to answer. "My advice is, if you're inclined in that direction, go with your eyes open. It's okay to let someone play you, Haven, as long as you know what's going on.
This is what it is to love an artist: The moon is always rising above your house. The houses of your neighbors look dull and lacking in moonlight. But he is always going away from you. Inside his head there is always something more beautiful.
As long as a house is like yours, and as long as you work together with your brothers, not a house in the world will be able to compete with you, to cause you harm or to take advantage of you, for together you can undertake and perform more than any house in the world.
Ask any real estate broker to name the three most important factors in buying a property, and he'll say: "Location, location, location." Now ask him to name the chief justice of the United States Supreme Court, and he'll say: "Location, location, location." This tells us that we should not necessarily be paying a whole lot of attention to real estate brokers.
Get inside her head. Get inside any character's head and ask what they want in this scene. And if you work from the perspective of what they want, there's not going to be any wrong answer. There's going to be some boring answers, but none of them are going to be wrong. As long as she has agency, then you're on the right track.
In a typical situation, it's going to take pretty close to a year to get your location in, get your permits, and then get open.
One can make this generalization about men: they are ungrateful, fickle, liars, and deceivers, they shun danger and are greedy for profit; while you treat them well, they are yours. They would shed their blood for you, risk their property, their lives, their children, so long, as I said above, as danger is remote; but when you are in danger they turn against you.
The seduction of evil is precisely in that it involves us in trying to eliminate it. When your consciousness is open, any action you take in reference to evil has no more significance than digging a ditch to channel floodwaters away from a house.
I lifted my right foot to step up into the bus and collided head on with an invisible force that entered my awareness like a silently exploding stick of dynamite blowing the door of my usual consciousness open and off its hinges, splitting me in two. In the gaping space that appeared, what I had previously called "me" was forcefully pushed out of its usual location inside me into a new location that was approximately a foot behind and to the left of my head. "I" was now behind my body, looking out at the world without using the body's eyes.
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