A Quote by Sherrilyn Kenyon
Honestly? I don’t want people around me for two reasons – they ultimately betray you or they die on you. Either way, you’re screwed and you spend all your time obsessing on why you didn’t see it coming. Or that you did something or didn’t do something to cause it. No offense, but I don’t like to be hurt and I’d rather just avoid it.(Ravyn)
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I don't know the reasons why something is intimidating to me or disgusting to me and I don't like feeling that way, either. I don't like it when something turns me off, on any level. So, its a matter of saying: Well, I can either sit here and reject, or I can do double-time embracing of something else just to reassure myself that I'm not against the world.
You have two choices in life. You either die or do something with your time. You're going to be doing something - why not write?
I always want to spend time around people who lift me up and make me feel like my best version of myself. So if I can spend time around people that make me laugh or something like that, that's incredible.
I'd rather spend my money on clothes. I have a budget. Why not want to look nice? It's something I just value for myself. Instead of just spending money on cars and stuff, I'd rather buy clothes. It's just something I like.
Acting is a bit like being an athlete. You spend all your time getting ready to do something for two minutes. All the things that made my career in the movies happen took two or three minutes, which is the time that it takes for a 'take'. In that time, something happens. That's what people know you for, just like someone running the hundred metres.
I try to take interest in whatever comes my way. Another aspect of this is [that] if at the beginning it seems like something I don't want to do, I ask myself why I don't want to do this and why I feel this way. It's perhaps rooted in the fact that I'm trying to avoid something.
I took a deep breath. 'For you I've got something better than love.' What's that?' I...trust you.' Why?' You'll never hurt me.' Thank you.' But...' But, what?' I said, 'That means I'll hurt you.' Why?' 'Cause, like I said, you'll never hurt me back.
I did something that I told people around me never to do, which was, pay a psychiatrist. Why pay a psychiatrist when you can just come to me? I can help you with something going on in your life; even if I know nothing about you, I can possibly help you. That's just me being cocky like I am.
Writers spend all their time preoccupied with just the things that their fellow men and women spend their time trying to avoid thinking about. ... It takes great courage to look where you have to look, which is in yourself, in your experience, in your relationship with fellow beings, your relationship to the earth, to the spirit or to the first cause—to look at them and make something of them.
There will always be a part of you that misses her. You'll see something that reminds you of her and want to tell her about it, only to realize she's not there anymore. Then you'll feel her loss all over again. (Ravyn) You're not helping me, Ravyn. (Jack) I know, buddy. But you will eventually make peace with yourself, and that's the most important thing. Eventually, you'll even be able to smile again when you think about her. (Ravyn)
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
I feel like, when the audience connects with something, they enjoy the experience so much that they want other people to go have it. They're like, "Don't talk about it. Don't tell. Just go!" It's a nice feeling to have people coming around it that way, protecting the ideas in it, so that everyone can see it for themselves.
I just feel like why spend all my time doing something that makes me unhappy just to spend my time off thinking about how I have to go back to a job. It's such a vicious cycle that people get stuck in. But I'm also very lucky. I can't sit here too eagerly and say all that.
So rather than someone coming to my stu- dio and saying, like, "Thank you for your time. I'll see you later," and me not knowing why they don't like my work, I understand now why they don't like it.
Ultimately you want to do something in life that people will remember. And with Buffy, I did that. I don't feel like I need to achieve something. I just do it because it's fun. And that takes the pressure off.
It is very hard to not be able to engage with people in a real and honest way because they either want something from me, or they see me as something that I simply am not.
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