A Quote by Sherrilyn Kenyon
Kaiaphas. I see you finally made some friends. You must have learned to use a toothbrush at last. You know it’s the whole up and down, back and forth that confuses people…or demons. (Xypher)
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Are we going to debate philosophy or should I just kiss and make up with the demon now? Let it get a good shot at your throat so it can rip it out? (Xypher) Put him down mercifully. (Kat) Yes, Queenie. I’ll make sure and use a cushioned blade. (Xypher)
I am on the power toothbrush train and I'm asking people to try to using an Oral B power toothbrush. I just started using one and I cannot believe that I waited this long to use a power toothbrush. It's so much easier than using a manual toothbrush.
I use a toothbrush on my lips as a lip scrub; occasionally, I use a toothbrush with some dark eye shadow on my eye brows if I want to fill them in. And if I want a really thick, textured look with mascara, I put one on my lashes, as well.
Often they do go back and forth the whole way, and I don't know until the very end what the last line of the book is going to be. That was true here - the very last line of the book was the last thing that happened.
Before I came to WWE, they sent me samples of all of the entrance music, so I told them, 'I don't use this,' and 'I don't use this,' and, 'Please mix music with violin,' and they would make samples, and I would give my opinion, and this would go back and forth until, finally, they made 'The Rising Sun,' and I was really happy to have that.
I know some people see it as this success when the book is finally made into a movie - that marks its success. I don't see it that way.
The missing toothbrush was nothing compared with the fact that the spacecraft was orientated to ascend, not descend. I would have gone up and up instead of going back down to the ground.
I have learned that some people who look fine are more crippled than I am, by fears they can’t explain. Other people are held back by shyness, or anger. In making friends, I see the way some people handicap themselves. I believe there are choices each of us make every single day. We can dwell on our limitations or we can push ourselves past them.
Then I say, "Let's go and brush our teeth." So Lola says, "But Charlie, I can't brush my teeth because somebody is using my tooth." "But who would use your toothbrush?" I ask. Lola says "I think that lion. I saw a lion with my toothbrush and now he's brushing his teeth with it." "But it isn't this your toothbrush Lola?" "Oh," says Lola, "he must be using yours.
I led by three or four feet, with Biggy (John Biglow) surging closer on each stroke. I hated him in those last few seconds; he was the only reason my guts were being strewn over the water like an oil slick ... I pressed one last time, and looked at the finish-line flagman. In that instant the flag jumped down and then up. The up stroke, identifying the second place finisher, was for me. John Biglow was the victor. I stared into the green-brown water watching my bloody soul drop through the depths, slowly rocking back and forth, occasionally glinting in the light, and then finally disappearing.
Now they came back to him, on this night he was seventeen years old. All the years and places of his brief broken life came within mind's reach and made a whole again. He knew once more, at last, after this long, bitter, waisted time, who he was and where he was. But where he must go in the years to come, that he could not see; and he feared to see it.
Don't fight your demons. Your demons are here to teach you lessons. Sit down with your demons and have a drink and a chat and learn their names and talk about the burns on their fingers and scratches on their ankles. Some of them are very nice.
A film like Genevieve to my contemporaries is not a film made years ago, but last week or last year. They see me as I was then, not as I am now. I am the reassurance that they have not changed. In an upside down world, with all the rules being rewritten as the game goes on and spectators invading the pitch, it is good to feel that some things and some people seem to stay just as they were.
You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.
To my mind, nothing is as important as good writing, because in literature, the walls between people and cultures are broken down, and the things that plague us most—suspicion and fear of the other, and the tendency to see whole groups of people as objects, as monoliths of one cultural stereotype or another—are defeated. This work is not done as a job, ladies and gentlemen, it is done out of love for the art and the artists who brought it forth, and who still bring it forth to us, down the years and across ignorance and chaos and borderlines.
Duke came to us. They volunteered to come to us and made a number of suggestions to some people on my staff. I don't know how I would characterize them, but there have been some discussions going back and forth between Duke and members of my staff.
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