A Quote by Sherry Stringfield

I don't get rattled about the big things. I get rattled when I have to pick up my laundry, get gas in the car, pick up a script. — © Sherry Stringfield
I don't get rattled about the big things. I get rattled when I have to pick up my laundry, get gas in the car, pick up a script.
I never take anything for granted. I think it's very cool to still get excited about things. I get as excited now as I ever did when I get a chauffeur driven car pick me up and I stay in a fantastic hotel or get to fly in a private plane. I never want to get blasé.
Being an actor, you can get spoilt a little bit: car services come and pick you up, you get put up in nice hotels, people fetch you coffee, and so on. It is wonderful, but you can get lost in that world pretty quickly and start believing that it is real life.
It's become sort of second nature whenever we get into a car to buckle up. It has to be second nature before you get into a car to ask, 'Hey, who are you here to pick up?'
To get a horse to hit a mark without a rider, to get it to stand up, to get it to rear, to get it to pick up a bucket and bring it over is amazing. It's hard work and very rewarding but can be dangerous.
With tennis, you can go pick up a racket, take a lesson, and understand how much talent and skill it takes to be as good as the top pros. Same with golf: pick up a club. But not many can go out and get in a race car and experience a drive at over 200 miles an hour.
Genealogy of ideas. You don’t get to pick your family, but you can pick your teachers and you can pick your friends and you can pick the music you listen to and you can pick the books you read and you can pick the movies you see.
I didn't get rattled by the criticisms. It is like delivering a baby. Some might say it has a flat nose or big eyes. But you cannot do anything about it and must learn to live with it.
What it really comes down to, especially in metal, is that the bass needs to cut through, so you go to the pick for that effect. But when you have a certain feel about the music and really dig in to get a big growl, you have to go with the fingers, because you're not going to get it with a pick.
We've all had the experience of you pick up a book, you can't get into it, you can't concentrate.Then one day you pick up the same book and you don't hear the phone ring. You're totally absorbed. Same thing I have to do every day. When you get into that special place of unconsciousness - you get it listening to great music or seeing a great movie - it just takes you out of yourself, out of this whole world. There's no feeling quite like it.
I don't mind if somebody texts me but I'm not a big texter, the things are too small. I don't mind if they text, '7 o'clock,' that's fine, that's logistics but, 'What's up?' Get real! Pick up a phone!
I knew I was going to make one. I wanted to make two, but the first one rattled in and rattled right out.
I was so keen to get back to sea. I was rattled.
In the entertainment industry, there is this fear of getting older, because we have high definition television now, and you can see things that the human eye can't even pick up. But the good thing about standup is that the older you get, the funnier you get.
I try not to get too rattled about things that aren't that important - there's a different outburst for when the kids are reaching for a knife in the kitchen versus the reaction I have when they just won't stop talking. And my wife and I have mellowed out as we've gone along.
I think that all people that get to a certain level of their celebrity are brands. I accept that. I don't value it in any personal way. I value it as an element of my work. I'm more pragmatic in that sense. I do get very rattled if I don't get enough normalcy in my life. I like solitude. I can't even write music if I'm not isolated.
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