A Quote by Sherry Turkle

These days, insecure in our relationships and anxious about intimacy, we look to technology for ways to be in relationships and protect ourselves from them at the same time.
I was always quite anxious, but when I left uni and started to have serious relationships with men I became incredibly insecure about the fact that I was my parents' daughter.
One of the best ways to educate our hearts is to look at our interaction with other people, because our relationships with others are fundamentally a reflection of our relationship with ourselves.
The people who are rising, they're super ambitious. They have relationships with people above them. They have relationships, hierarchical, sort of people below them. A lot of people do not have relationships horizontally. And there's a lot of people who reach high political offices, but who are weirdly lonely, weirdly lacking in intimacy skills.
Intimacy is important in my work because I don't understand existence without intimacy. All of us are dependent on other people - and in ways we don't know. You cross the street and assume that person isn't crazy, they don't want to mow me down with their car. I don't know that person but I am already in a relationship with them. I am asking them to abide by the traffic laws. If they decided not to, I'd be dead. Even in those anonymous ways, we're in relationships.
I think in modern communication studies, we put a lot of emphasis on our relationships and our family relationships. Our relationships with our parents, and our siblings. I felt that there was this gap in content about communication with people who are super close to you in your peer group.
When I think about [characters], I like to think of them in their relationships to each other. In the same way, I think that's how humans are ultimately defined. We are our relationships to one another. And a lot of what's interesting about us happens in the context of other people.
We really spend a lot of time on building relationships. And so when everyone is like, 'How do you break so many stories?' it's because I build relationships. I do it the old-fashioned way, and I build sourcing relationships, and then I take advantage of those relationships over time.
We set the standard of how we want to be treated. Our relationships are reflections of the relationships we have with ourselves.
'War and Peace' is about relationships: family relationships, loving relationships, relationships at war... it's a really young story as well.
Plays are always about intense relationships, whether they're intense love relationships or family relationships or existential relationships.
Good relationships make people happy, and happy people enjoy more and better relationships than unhappy people.... Conflicts in relationships--having an annoying office mate or roommate, or having chronic conflict with your spouse--is one of the surest ways to reduce your happiness. You never adapt to interpersonal conflict; it damages every day, even days when you don't see the other person but ruminate about the conflict nonetheless.
My writing is about connecting ways of talking to human relationships. My purpose is to show that linguistics has something to offer in understanding and improving relationships.
We all have relationships - I've had relationships in my past, and I don't look back on them and think, 'That was a mistake.'
I knew I could write infinitely about relationships. That's the most beautiful, most confusing, most rewarding, most heartbreaking thing in our lives - and not just romantic relationships: that's all relationships.
I look at the textures, surfaces, colors, and the individual objects in the painting. And then I wonder: what are the relationships among them? Those relationships are everything.
It can be the best of relationships and the worst of relationships - often at the same time. The bond between a mother and daughter is one of the strongest, but it's also among the most complicated.
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