A Quote by Shervin Pishevar

I used to draw and design my own furniture in college but never had the means to build them. — © Shervin Pishevar
I used to draw and design my own furniture in college but never had the means to build them.
My father would sit and design furniture and cabinets - he was a carpenter and cabinet maker - and I would ask for my own piece of paper and pencil. And when I would say, 'What should I draw?' he would push a cartoon under my nose and say, 'Here, draw this.' So the cartoon became a kind of focus of attention.
It was a conscious choice, to build my own career, to make a name for myself. Another issue here, of course, is that I used all means to build it and was ready to pay any price for it.
When I was 18, I began attending college for art and design, and I designed all sorts of things from furniture to industrial designs and even watches.
I really do build furniture to be used, you see, to be lived with.
When I was writing 'Kitchen Confidential,' I was in my 40s, I had never paid rent on time, I was 10 years behind on my taxes, I had never owned my own furniture or a car.
The only real security is not insurance or money or a job, not a house and furniture paid for, or a retirement fund, and never is it another person. It is the skill and humor and courage within, the ability to build your own fires and find your own peace.
What it means to be human is to bring up your children in safety, educate them, keep them healthy, teach them how to care for themselves and others, allow them to develop in their own way among adults who are sane and responsibile, who know the value of the world and not its economic potential. It means art, it means time, it means all the invisibles never counted by the GDP and the census figures. It means knowing that life has an inside as well as an outside. And I think it means love.
We have also obtained a glimpse of another crucial idea about languages and program design. This is the approach of statified design, the notion that a complex system should be structured as a sequence of levels that are described using a sequence of languages. Each level is constructed by combining parts that are regarded as primitive at that level, and the parts constructed at each level are used as primitives at the next level. The language used at each level of a stratified design has primitives, means of combination, and means of abstraction appropriate to that level of detail.
Meta-design is much more difficult than design; it's easier to draw something than to explain how to draw it.
By means of tracing-paper I transfer my design to the wood and draw on that.
I got my career start by first creating my own free, independent lifestyle in my own house out in the country. There I taught myself to make and later design furniture. I have continued to go my own way, always consciously needing to feel that I am moving forward.
As we move into the 21st century, it becomes ever clearer that the ultimate, most intimate territory for design is not electronics, or interiors, or furniture, or the Web. It's us-our own living, breathing, biological selves. ... the personal makeover has become our most fundamental design task.
I think morality is so individual and personal, and people draw their own lines of what that means for them.
I was, like, a total cliched '80s child. I had Barbies, obviously, as well as My Little Ponies and Cabbage Patch Kids, but I used to destroy them. I used to draw all over their faces and cut off their hair.
I was like a total cliched '80s child. I had Barbies, obviously, as well as My Little Ponies and Cabbage Patch Kids, but I used to destroy them. I used to draw all over their faces and cut off their hair.
I was never a doodler. I had never felt a drive to draw... Actually when I was a kid, I really hated art classes. My father was a kind of a Sunday painter and he liked to draw and do water colors. So, I would bring him my assignment and he would do them for me, because it was easy for him to do.
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