A Quote by Sherwood Anderson
Draw things that have some meaning to you. An apple, what does it mean? The object drawn doesn't matter so much. It's what you feel about it, what it means to you. A masterpiece could be made of a dish of turnips.
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"Real" drawing is about specifics. It's about describing an object as accurately as possible. In a comic strip you have to draw a picture of the idea of the object. You have to draw the word that you are picturing, then you have to mix in specifics with it for it to work as a story. But you are still working with drawn words.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
Detachment, lack of sentimentality, originality, a lot of things that sound rather empty. I know what they mean. Let's say, "visual impact" may not mean much to anybody. I could point it out though. I mean it's a quality that something has or does not have. Coherence. Well, some things are weak, some things are strong.
It makes me uncomfortable to talk about meanings and things. It's better not to know so much about what things mean. Because the meaning, it's a very personal thing, and the meaning for me is different than the meaning for somebody else.
They were frightening enough, but Tessa could not help but feel that if Will were there, he would have commented that they looked like turnips, and perhaps made up a song about it.
Symmetry does mean something different for physicists than for members of the public. It means that an object or a theory does not change when you make some transformation - either rotating or moving it or doing something to the equations.
Focus on an object of some type, hopefully an object that's beautiful or powerful. You could find a pretty colored stone that you just feel good about.
Because the meaning of a story does not lie on its surface, visible and self-defining, does not mean that meaning does not exist. Indeed, the ambiguity of meaning, its inner private quality, may well be part of the writer's vision.
The novelist's--any writer's--object is to whittle down his meaning to the exactest and finest possible point. What, of course, isfatal is when he does not know what he does mean: he has no point to sharpen.
I draw things on the paper very freely but believing there is meaning to them already. There is already meaning in the colors, I don't need to be guided by words. I draw them and the meaning comes after. Every time we would start a new sequence we would change everything.
Sometimes, and I hate to say it, you do feel things are asked for in the most ludicrously unrealistic fashion. The time you are expected to make things in, and the money you are expected to make them for - that is the death of creativity. Just because some things can be made very cheaply does not mean everything can be.
In Grade 2, when we had to do a presentation in front of the class, I'd always do things about Ireland or Italy. I could draw maps; I could name all the capitals: I was completely drawn to other lands. I discovered with time that it's a thirst for other people, for otherness, for something fascinating and mysterious.
Meaning doesn't lie in things. Meaning lies in us. When we attach value to things that aren't love - the money, the car, the house, the prestige - we are loving things that can't love us back. We are searching for meaning in the meaningless. Money, of itself, means nothing. Material things, of themselves, mean nothing. It's not that they're bad. It's that they're nothing. ("A Return to Love")
It is not just that it is profoundly offensive to the leaders and people of a democratic Germany to paint Hitler on the wall (or on the remnants of the Wall). It is also consummately counterproductive. Such sauce does not make the meat of substantive criticism more interesting. It means that the whole dish is pushed away. It does not mean that Britain's voice is listened to more attentively in the councils of Europe. It means that it is listened to even less.
But it does take the determination that you're going to put your thoughts upon something that does feel good. And so, here we're going to make a very bold statement: any disease could be healed in a matter of days, any disease, if distraction from it could occur and a different vibration dominate - and the healing time is about how much mix-up there is in all of that.
Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.
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