A Quote by Sherwood Anderson
Work accomplished means little. It is in the past. What we all want is the glorious and living present.
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Sometimes we forget that if we do not encourage new work now, we will lose all touch with the work of the past we claim to love. If art is not living in a continuous present, it is living in a museum, only those working now can complete the circuit between the past, present and future energies we call art.
To me, living in the present means being aware of your conscious choice to focus on the past, present or future - it is not necessarily having to focus on the present.
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
I'm focussing on what I haven't attained, not what I have. A lot has come to me early. I don't want to get consumed with that. Winners live in the present tense. People who come up short are consumed with future or past. I want to be living in the now. My goal is to play one full game in the now, but I haven't even gotten past the first inning yet. I start thinking about where my mom is or if my dogs have been fed. The average human has 2,000 thoughts a day. The really accomplished have 1,500 because you can focus longer. I need to learn how to focus longer.
The present is only understandable through the past, with which it forms a living continuity; and the past is always grasped from our own partial viewpoint within the present.
The mathematical life of a mathematician is short. Work rarely improves after the age of twenty-five or thirty. If little has been accomplished by then, little will ever be accomplished.
'Carpe Diem' is a phrase that I try to embrace. It means seize the day, to make the most of the present and to give little thought to the past or future. In the time that I have here, I want to love and live life to the fullest while being a positive influence on others. And I want a full life for everyone.
It's exciting being in the present. You're always reading emails, talking about the future, looking at pictures on Facebook of the past. But living in the present? It's almost a dead medium. I almost want to do a sketch about being in the present.
The past, as you suggest, is absolutely present at all times and the present is born from the past. I wouldn't want to suggest that the past determines the present.
Making art now means working in the face of uncertainty; it means living with doubt and contradiction, doing something no one much cares whether you do, and for which there may be neither an audience nor reward. Making the work you want to make means setting aside these doubts so that you may see clearly what you have done, and thereby see where to go next. Making the work you want to make means finding nourishment within the work itself.
God does not want us to be living in the past, in shame, in fear, or in the future, in worry. He wants us to be living in the present, in now, with Him.
It is remarkable that there is little or nothing to be remembered written on the subject of getting a living: how to make getting a living not merely honest and honorable, but altogether inviting and glorious; for if getting a living is not so, then living is not.
I don't compare shows. It's very simple. I don't live in the past. If there's any secret to my longevity, it's living in the future. And a little bit in the present.
If you want to be happy, do not dwell in the past, do not worry about the future, focus on living fully in the present.
Originally the structure was . . . a modern narrator who would appear intermittently and talk about his memories of his grandmother, which would then be juxtaposed against scenes from the past. But the stories from the past were always more interesting that the things in the present. I find this almost endemic to modern plays that veer between past and present. . . . So as we've gone on developing GOLDEN CHILD, the scenes from the past have become more dominant, and all that remains of the present are these two little bookends that frame the action.
Glorious the northern lights astream; Glorious the song, when God's the theme; Glorious the thunder's roar: Glorious hosanna from the den; Glorious the catholic amen; Glorious the martyr's gore.
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