A Quote by Sheryl Crow

Most writers like to maintain some sort of anonymity. For me, making videos was an assault. — © Sheryl Crow
Most writers like to maintain some sort of anonymity. For me, making videos was an assault.
There was a long stretch of time where I was making these videos, and everyone just thought I was a weirdo because I was making videos in my apartment instead of, like, going out, you know. And so I, like, it's hilarious now because everyone gets YouTube now. But, you know, in 2006, when I started making videos, like, no.
Raj Kundra kept telling me that Shilpa Shetty liked my videos and photos. This gave me more motivation to work on such videos. When you are motivated by people like Shilpa Shetty, you don't understand what's right and wrong. When I was praised for making such videos, it gave me a push to do more.
Videos is the worst. Let me make it clear: Videos suck. It sucks making a video. It's happy when it's over and edited and online, but making it, it ain't really too much fun.
Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
I didn't take a lot of the videos seriously; making videos was one of the most tedious things that you can imagine.
For so long I focused on all that I had lost - my legs, my anonymity, even my freedom in a way. I couldn't jump in the car, blast some music and just get away for a bit. I couldn't play basketball with my brothers. I couldn't even get up in the middle of the night to go to the bathroom without making it some sort of production.
I'd wanted to be a director since I was five and had been making videos since I was a kid. Then YouTube came around during high school. I was making videos, and it was just a place to put them, like storage.
ISIL videos, ISIL training videos are telling lone wolves the easiest way to cut by a combat assault weapon in America is at a gun show, because of the flip-flopping political approach of Washington.
A lot of the people that stop you - well, they're not nuts, exactly. They're more like super-fans. They think that I'm some sort of rich guy, that everyone in the movies is making the kind of money Angelina Jolie is making. They don't realize that most of my life has been a struggle.
'American Playhouse' is very supportive of writers. That's really why writers like to write for 'American Playhouse' for very little money. They care about making your play, your script, not some network production. We're treated like playwrights, not like fodder for some machine.
I like the anonymity, the fact that you're a stranger making strangers laugh. You aren't forcing them to laugh - it's involuntary, and that's when they give the most honest response.
Some writers later, describing the events of that night and day, wrote that Wan'yen of the Altai had seen a spirit-dragon of the river and become afraid. Writers do that sort of thing. They like dragons in their tales.
I produce some of my music videos on a $200 budget. But I produce most of my videos on zero budget. I have a studio in my apartment - which is actually just a green screen I have tacked on my wall and some lamps to light everything.
I know people get upset and go, 'They're going to take away the assault weapon'. But who needs an assault weapon? Like, really, unless you're carrying out an assault.
I was doing YouTube before YouTube was a thing. I was making videos on my camcorder for my friends. I would do parodies of Britney Spears videos and stuff like that.
It's misleading to think of writers as special creatures, word sorcerers who possess some sort of magical knowledge hidden from everyone else. Writers are ordinary people who like to write. They feel the urge to write, and they scratch that itch every chance they get.
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