A Quote by Sheryl Lee

David Lynch saw my picture in a casting agent's office in Seattle. I got a call to see him, and the rest is history. — © Sheryl Lee
David Lynch saw my picture in a casting agent's office in Seattle. I got a call to see him, and the rest is history.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
I was living in Seattle. I was 21 years old, just going to do theater. And I got a call that David Lynch was in town and wanted to meet with me.
I grew up in Colorado - went back there, tried to heal myself and grow and learn, then got a call that David Lynch wanted me to fly back to Seattle so he could meet me for Twin Peaks.
To David Lynch, any film or television show should be life casting a shadow.
The first time I lay actual eyes on the real David Lynch on the set of his movie, he's peeing on a tree...Mr. David Lynch, a prodigious coffee drinker, apparently pees hard and often.
I saw David Lynch's 'The Elephant Man' when I was 15. I was completely bowled over. I found it so beautiful, strange and mesmerizing that I went back to the cinema every night for a week to see it.
We love David Lynch. We're big David Lynch fans.
I saw David Lynch’s “The Elephant Man” (1980) when I was 15. I was completely bowled over. I found it so beautiful, strange and mesmerizing that I went back to the cinema every night for a week to see it.
I remember being really grateful that David Lynch had actually even thought of casting me, because I was a huge fan of his.
He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I've been lucky to have opportunities with David Lynch in 'Lost Highway' and Jennifer Lynch in this movie 'Surveillance,' so I've always boomeranged around a little bit, and no one has caught my foot in the trap yet, but I think if I move fast enough... 'cos I think I got trapped a couple of times.
David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.
I saw Elvis live in '54. It was at the Big D Jamboree in Dallas and the first thing, he came out and spit on the stage...it affected me exactly the same way as when I first saw that David Lynch film. There was just no reference point in the culture to compare it to.
Senator [Tom Cotton] got a ton of blowback. He became the star of fake missing person`s signs, encouraging folks to call if they saw him and also to call him and ask why he had been missing while his constituents were looking for him.
In rural communities, people are upset with the government, upset with what they see as business as usual. They saw Obama as a change agent, and they saw Donald Trump as a change agent.
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