A Quote by Shia LaBeouf
I became a Christian man in a very real way. I could have just said the prayers that were on the page, but it was a real thing that really saved me. And you can't identify unless you're really going through it. It's a full-blown exchange of heart, a surrender of control.
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When I discovered that, through acting, you can speak a beautiful language aloud and have a relationship to language that isn't one that's just eyes-to-page, pen-to-page - it's one that's full-bodied, full-voiced, full-heart... it really opened my heart and made me feel like I could be a storyteller.
I really became a hardcore Batman fan when I was eight years old. What was clear to me, the reason I liked him better than Superman or Spider-Man or the Hulk or whoever, was the fact that he was human, and I could identify with him, and I really believed in that character strongly. In my heart of hearts, when I was eight years old, I believed that if I studied real hard, and worked out real hard, and if my dad bought me a cool car, I could be this guy.
I think my first bout of that was when I was doing me and My Girl, funnily enough. I really didn't change my clothes or answer the phone, but went into the theatre every night and was cheerful and sang the Lambeth Walk. She said: “The only thing I could do was write. I used to crawl from the bedroom to the computer and just sit and write, and then I was alright, because I was not present. “Sense and Sensibility really saved me from going under, I think, in a very nasty way.
I know what blood poisoning is, Katniss," says Peeta. "Even if my mother isn't a healer." I'm jolted back in time, to another wound, another set of bandages. "You said that same thing to me in the first Hunger Games. Real or not real?" "Real," he says. "And you risked your life getting the medicine that saved me?" "Real." I shrug. "You were the reason I was alive to do it.
When 9/11 hit, the second thing I said to myself was, 'This really is what religious people do.' Those people flying the plane were very good, very pious, truly faithful believers. There's no other way to paint them. Of course, they are extremists by definition, but they certainly aren't going against Islam in any real way.
We were at a kibbutz, and we were at a Shabbat service, and I opened up the prayer book, and on the first page, it said that the prayer book was in thanks to the sponsorship of this family in a temple in Kansas City. For me, it was a moment when I really kind of connected in a real serious way with my personal identity as a Jew.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
One of the places the full stop is really being revised in a really fundamental way is on the Internet. You look at the Internet or any instant messaging exchange - anything that is a fast dialogue taking place. People simply do not put full stops in unless they want to make a point.
I'd just come through cancer in 1995. Which really changed my soul. It really did. It changed me... It made my faith alive - and real. God's real.
You can't really control how people are going to feel about you; all you can really do is be yourself. Because if you seduce somebody, and you seduce them by pretending to be a certain way, once they are seduced they are going to find that you are not that way. And then you have to maintain an image that's not real, so you really screw yourself. The best is to be yourself and hope they like you.
I've had a lot of people come up to me after shows and tell me that "Dollhouse" really helped them with whatever they were going through with their families. I thought that was really amazing, that it could mean one thing for me but another thing for someone else.
There was really only one person who - and I remember to this day - he was a fireman, and he said, "You'll never know what you'll do when you're in a fire." Everyone else was like: "I don't care; I would have saved my children; I could have done it. Even if I was asleep I would have woken up and saved my children." But the fireman said, "You never know what's going to happen unless you're in there."
You try and imagine what it must have been like to first see something moving on a screen. It must have blown your mind, because up to then life went by and there was no way to capture it. You could only get one instant and you didn't get the movement. So it's like having a bit of control over time really, because it's happening in real time or what seems to be real time, and then you can play it backwards and you can watch things again and again.
No man is really saved unless he is in his heart obedient to Christ.
I spent my twenties not really participating in the work force in any real way. I acted a tiny bit, but that was just because it was the only way I knew how to make money, and I sublet my apartment and lived in the woods and just tried to figure out who I was and what I wanted, what my real desire was and not just what I was used to doing, and it was a really confusing and painful, but really rich and amazing time.
It was just my mom, my sister and me. And from a young age, my mom always said I was like the man of the house. I really became the man of the house. And I really took that responsibility very seriously: being the man of the house, the protector.
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