A Quote by Shia LaBeouf

Having emotional connections to things that don't really exist, like looking at a green ball and really loving that green ball, and being sad whether it's around or not. Stuff like that. I've never done acting at this level before so it was a huge challenge for me. It was a hurdle to overcome just to survive.
Having a Southwest Green in my backyard is a huge advantage for me on tour. I am pleasantly surprised just how true the ball rolls and reacts to chip and pitch shots. I love my Southwest Green.
All the time that I'm acting with an animated character, I'm looking at a tennis ball or sticky tape or an eyeline or a man in a green suit. There's no real environment, just this electric green that's blaring into your brain.
Having more freedom to bring the ball up and have the ball in my hands, just trusting me with the ball, that was one of the big things. My rookie year, I didn't have that. Just having that trust in me, just working and them seeing that I'm getting better at it, that I'm capable, that was kind of like a changing point for me.
Yes, because it's Len's obsession with practical. I've never really had that experience that I hear people having of being on an empty soundstage painted green talking to a tennis ball on a stick.
O the green things growing, the green things growing, The faint sweet smell of the green things growing! I should like to live, whether I smile or grieve, Just to watch the happy life of my green things growing.
Green screen, you know, it's been interesting, it's my first time to ever work with green screen technology, and it's, sometimes it can be really boring because you're like wow, I've got to really imagine all of this stuff around me. But it's low maintenance, which is nice, um, and it's not as hard as I thought it would be, so.
One travels like a golf ball, hopping from green to green.
They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never.
For 'tis green, green, green, where the ruined towers are gray, And it's green, green, green, all the happy night and day; Green of leaf and green of sod, green of ivy on the wall, And the blessed Irish shamrock with the fairest green of all.
You've seen how they make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.
I wanted green in my hair, so I did green. And I got my sunflowers to match. I've never done it before. Just said, 'OK, I'm doing my hair green.'
You've seen how actors make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.
And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
I look at the game like, 'How can I impact it not just standing there?' Just try to be active offensively setting screens, doing stuff like that, but I'm also trying to be active driving the ball to the hole, finishing, one-dribble pull-ups and stuff like that. Just playing ball and not being robotic. Just evolving.
A lot of people at the highest level, I never listened to. It was hard for me to listen to a whole lot of stuff. It didn't get there for me. Al Green, who's maybe my favorite male singer - to me, Al Green sounds like a saxophone player.
I'm used to having the ball, man. So, not really having the ball in my hands... it's just me trying to find different ways to impact the game.
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