A Quote by Shia LaBeouf
But this is a little different. This is the adult acting. This is a different crowd. It's more work and more good work. That's it. People will have their opinion regardless.
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The more that I can work in different mediums, the more I can grow, and learn from different actors and different types of actors and directors and different styles of acting and build a tool box.
As much as I love acting and I hope to be doing it for a long time, it almost feels more natural for me to be a producer. I came into all of this because I'm a fan of movies and I wanted to find any way I could to be a part of it all. I happened to take the acting route but it could have been a million different ways in. Now that I'm producing it's just really fun for me to work with people that I really admire and put people together who I think will work well together. Just having a little more control.
With acting, it's like you form chemistry with different people in different ways, so it's really added even more fun to work, you know?
I feel like the more I work on different songs and the more I work on my voice constantly... I always feel better after I post a cover. Even if it's doing the little 15 second covers, I'm working on my craft, and it's really good for me, and I feel good after I do it.
It's so much more fun to do the work than to talk about it. I will have to admit that. Everybody gets to decide how they feel, and what to take away by themselves, and that's what you hope for. That people will take away different things and have different experiences from the work we do as actors. So I don't like to prescribe how to feel about the work I do.
Acting is interesting because you get to be involved in different stories and get to work with different people. Also, acting allows one to be a part of different stories, travel to different parts of the country and all the experiences put together make life interesting.
For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't impose that on the actors.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
If there's any message to my work, it is ultimately that it's OK to be different, that it's good to be different, that we should question ourselves before we pass judgment on someone who looks different, behaves different, talks different, is a different color.
Acting is always more fun for me.I love being a part of a story, I love collaborating, I love working with different directors. If I just directed more and more, it would lessen the opportunity to work with all these big directors that I've had the opportunity to work with.
Stadiums are full, pitches are good, the press is different, people are different, the football culture is different. Everyone talks highly of England and I'd like to experience it one day. You see more space, more opportunity to enjoy your football. It's more physical, more intense, but I think I'd be comfortable.
I don't choose to be a common man. I want to be better tomorrow than today. And through a commitment to work and discipline, but mostly hard work. I'll be a little more content, and a little different from the average guy.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
It's always good I think in general to have different energies on screen, like it's nice to have different characters go at different speeds, just like different people work at different speeds.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.
I'm different, that's all. Everyone is different in their own ways - but I'm maybe a little bit more different in a little bit more different kind of way.
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