A Quote by Shia LaBeouf

When people ask me about my story, I just go through the positive stuff: the tent-pole moments, the big landmark checkpoints. — © Shia LaBeouf
When people ask me about my story, I just go through the positive stuff: the tent-pole moments, the big landmark checkpoints.
People know my lyrics; they know the stuff I've written, and it's all about life, love, happiness, and these big euphoric moments. It would always bug me when I'd go to a club, and they're playing some chick on a stripper pole on the monitor behind me. I'm like, 'So that's not what I do - that's the other guy.'
The movies are about big tent pole movies and big action and effects.
The big money goes to kids and young men - big tent-pole movies, which are expensive but have a great return.
I've always said, just go ask my teammates if you want to know about me. Go ask the guys that I've played with. Don't ask or get information about me from people who are not in the locker room or not around me all of the time. Then you'll get legit answers.
I worry about getting work, and then when I get it, I worry about doing it well. I don't want to just go through the motions and give people stuff. This stuff is really important to me.
I think life is really hard sometimes. It's not easy to wake up every day and go through what you go through. But the beautiful moments that you share with people that you love, or even experience alone, are worth all of the pain and sorrow. Those moments should be cherished, and I think that's what music is all about-to remind people of the beautiful moments that are in everybody's life
They make three types of movies, and if you don't make one of those three, you have to find independent financing: It's either big-action superhero tent-pole thing, or it's an animated film, or it's an R-rated, raunchy sex comedy. They don't make movies about real people.
It's not about the big deal you struck that day, it's not about the new car, it's not about the obvious stuff. It's about that little introspective moment you had in the middle of all that. Those are moments between the moments, and that's where life is.
When interviewers ask me who I'm sleeping with or if I don't like such-and-such or what is my sexuality, that's not beneficial to the world. They need to ask me about stuff that may help readers, like how my father abused my mother for many years. A lot of kids go through that and need to know what they should do.
There's the South Pole, said Christopher Robin, and I expect there's an East Pole and a West Pole, though people don't like talking about them.
I think the Women's March is actually reflective of this idea that you can create a big tent, but that doesn't mean the people inside of the tent are going to agree on everything. In fact, they might have very public fights about the things that they don't agree with.
What is the American dream? The American dream is one big tent. One big tent. And on that big tent you have four basic promises: equal protection under the law, equal opportunity, equal access, and fair share.
If the director has a story, he will go directly to the hero. If I have a big hero in hand today, any big banner or corporate will come to me. But if I say I have a good story, they will ask if I have a hero.
I'm going for the big moments - I want the big moments. I just tell myself, 'Remember the work you did, the things you went through. And keep going.'
I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like 'Piranha 3D.
I didn't go to the North Pole to do something about my mother. I was invited to the North Pole and I realized it was impossible to go there without thinking about her.
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