A Quote by Shia LaBeouf

If people perceive you as a good actor then they'll wish for you to be a good actor and they'll root for you when they watch you, but if you come out and you're going to clubs every night people don't root for you anymore.
A good man regards the root; he fixes the root, and ail else flows out of it. The root is filial piety; the fruit brotherly love.
I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people.
People don't want to just root for a team anymore. They want to root for something more.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
I root for all movies, but I especially root for good comic book movies. It's the best, most interesting genre going right now.
I'm not necessarily a good actor, but once people start saying you are, you are. And I know that that's a truism, and there's obviously nothing important in that particular statement, but it's really about the fact that people create you as a good actor.
An actor should never be influenced by the surroundings, because you have to submit completely, and trust me, it's not a good feeling when you know that your father is going to come and watch you work every day!
As an actor, you don't really have a say or a voice in what the conversation of the show is going to be. So, as an actor, I'm just trying to make sense of why the character is making these choices, and somehow, in that way, you can sympathize or root, at least not detest, what this person is doing. That's, at least, my job in telling that story.
There is a bit of a once a soap actor always a soap actor thing, but I do think people still recognise talent. If youre good at something, then people have no choice but to accept it.
Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.
With most good scripts and good shows, they expect the actor to bring some of their ideas to the backstory of the character. It's always a good collaboration between the actor and the writer and the director to try stuff out during the process.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
You're not actually being a good actor all the time. But people refer to me as a good actor because they read it someplace, not because they've made up their own mind. So I'm very lucky!
You know, I always root for the older athlete. I root for the second album. I root for solo careers after the rock star breaks the band apart.
I see the root of the education crisis in the primary and secondary schools. Academia is doing a fairly good job. The root of the problem is the teachers. Some are great. But too many of them are not capable of being good role models. They can't control the classes. They lose too much time trying to create a learning environment.
I think, at the end of the day, if you're a good actor, then you're a good actor.
This site uses cookies to ensure you get the best experience. More info...
Got it!