A Quote by Shia LaBeouf
I'm a call-sheet junkie. I love being on set. So, the hardest thing for me is dealing with all this idle time. That's when I get into trouble.
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I come from theater, so I'm used to the hierarchy of an actor is just on the ladder, and above that is a director, and above that is a producer, and above that is a writer. But on a television show or film, the whole call sheet thing and being No. 1 on a call sheet, people look to you and almost expect you to exercise this power for good or bad.
The way I think I should stay out of trouble is by stayin' busy. With idle time comes a lot of biz, so the more my work load is heavy, I'll have no time to get into any trouble or makin' dis tracks or get into conversation about any other rappers.
I didn't know what a 'call sheet' meant. I'd never been out of the country before, but there I was on a ginormous set in Australia with John Boyega and thinking, 'What is going on?' He took me under his wing and broke my fear of being the new kid.
It's ironic my biggest mental crisis in life came when I actually succeeded. A lot of people talked about dealing with failure, but for me, dealing with success was probably the hardest time in my life.
Well I'm a longtime AOL subscriber and I love the whole thing. I'm an email junkie and I love the internet, though 7th Heaven doesn't give me much free time to surf these days.
The trouble with Nixon is that he's a serious politics junkie. He's totally hooked and like any other junkie, he's a bummer to have around, especially as President.
Don't get seduced by your own stuff. Don't get high on your own supply. The hardest thing as a filmmaker is when you're watching a film that you've worked on for several years. You know every frame so intimately that holding lots of the objectivity of a new viewer who has just seen it for the first time is the hardest thing. Every aesthetic decision you make - and you make thousands of them every day, have to - in theory, must be done from you being a blank slate. You almost have to run a program, like a mind wipe, every time you watch the movie.
The hardest thing is that the people who don't know anything about fighting, they label you. Once they get to know me, they're like, 'Ah, you're not anything like I thought.' That's probably the hardest thing about being a fighter - everything else is easy.
To unwind after training, I love to have a long hot soak in the bath, then veg out on the sofa with a box set. I'm a box-set junkie! I absolutely love 'Grey's Anatomy.'
If I can encourage and get somebody to get through what they're dealing with, their set of circumstances, that's the right thing to do.
The only thing that made its way to actually happen for me was acting. I love it, and I love being on set. I love being in rehearsal for things and telling stories. It's what I feel I am supposed to be doing.
We thought the hardest thing in the world was to get a record deal, then the hardest was to get a No. 1 record, and then the hardest thing is to stay at the top. It's a lot of work.
The hardest thing about my job isn't the snake bites or the crocodiles, it's being away from my children. I have a really religious satellite phone call every day back to the boys, wherever we are, whatever time zone, to say goodnight.
It takes a lot of time to be a good junkie or alcoholic - you spend hours getting the necessary supplies, then imbibing, then recovering, rinse and repeat. That's like eighteen hours of a day. And assuming you get out of that lifestyle before it macerates your heart, you have that Junkie Tunnel Vision, except now you get to use it for something positive: you know how to work tirelessly for one thing. Instead of using that tunnel vision to get high, I use it to make art.
I don't think I could ever have a desk job, so I get to be mobile. I'm on set. I get to walk around kind of doing my own thing, being independent - it's just a really good vibe. Everyone on a film set is very happy, and they all love their jobs, so it's a cool environment to be a part of.
I definitely isolate, but I also always have people in front of me, and I have to be OK with that. I'm in a business where, on the set, you're around two hundred people every day, and if you're high on the call sheet, you sort of set the tone for the set. And you want people to feel appreciated, and you want to ask them how their kids are. You want to talk to people and invest in them and let them know that they're appreciated and heard. But then I do like to just kind of withdraw.
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