A Quote by Shia LaBeouf

Nobody makes movies like Oliver Stone. — © Shia LaBeouf
Nobody makes movies like Oliver Stone.
One of the things that sets Oliver Stone apart though is he is commercial. He is mainstream. He makes big movies and he is one of the last guys that can make big movies that actually have something to say, that you know challenge the audience in a way while entertaining them.
As much as I hate his movies, Oliver Stone has an aspiration I admire, and that is that he wants his art to be part of what makes and changes public policy and cultural practice.
I'm a fan of Oliver Stone. I like his movies, I like his excess, and I think he has a great capacity for empathy and it comes out more powerfully in this movie than in any of his other films, even the formal 'I'm identifying with the underdog' movies like 'Born on the Fourth of July.'
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I could stay making nice safe BBC movies for the rest of my life, so I decided to risk it. It was a challenge, to work with Oliver Stone.
He [Oliver Stone] is great. I really like working with directors who know what they want and aren't afraid to tell you, "Do it like this. Don't do it like that."
I enjoy sports. I get a real joy from playing sports but I don't look for those movies. Oliver Stone wanted to know if I would do Any Given Sunday and it just didn't appeal to me.
Oliver Stone. Is that not enough?
It was a challenge, to work with Oliver Stone.
I spin around on the swivel chair and look up at the ceiling; Oliver being Oliver being Oliver being Oliver. I am suddenly aware of the separation between my-actual-self and myself-as-seen-by-others. Who would win in an arm wrestle? Who is better-looking? Who has the higher IQ?
I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular.
I guess I feel like it's a gift to meet those talented artists like George Lucas and Oliver Stone, Spike Lee and Richard Kelly. Even if it's a small role, it's a gift to be working that closely with them.
I'd heard rumors about Oliver Stone before we went to work on and I don't get it. To me, he's one of the most sensitive directors. He is just fascinated by why people act in the ways that they do. His movies are an excuse to explore that idea, and he wants to work with people who are as passionate about exploring it as he is. So we got along brilliantly.
Oliver Stone's strategy is to unnerve the actors so as to make them alert and alive.
I like what Oliver Lakes does on the saxophone. The saxophone comes pretty close to the sound of the human voice and when Oliver plays with other sax players, it's like a dialogue.
Would we even recognize an Oliver Stone production if it didn't kick up the usual fuss?
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