A Quote by Shibani Dandekar

I have been a VJ in New York before. I used to host shows on local television there. — © Shibani Dandekar
I have been a VJ in New York before. I used to host shows on local television there.
Local television is a slightly different story. It is under much more pressure in the same way that all local businesses are, whether that's a local newspaper, local radio or local television. But I think television in the aggregate is actually in very good shape.
I had so many local shows before I came back to New York, which is the ideal place to do a national syndicated show. Then I spent five years trying to convince people to give me a shot in the syndication business.
I've always been obsessed with bad, awkward television and bad public access. Before YouTube, it was a treat coming across that stuff. When I moved to New York, I used to love watching public access late at night.
I grew up in the '50s, in New York City, where television was born. There were 90 live shows every week, and they used a lot of kids. There were schools just for these kids. There was a whole world that doesn't exist anymore.
We have been actively trying to have New York City host the 2012 Olympics.
There used to be a club in new york called Bradley's - I've never been there, it closed in the 80's - but I used to study with Junior Mance, and he would tell me about Bradley's. It was a very important place for a generation of jazz musicians in New York. It was really all about pianists there.
Then, when I got in the military, I used to host - even in high school - I hosted the talent shows, and when I was in the military I would host all of our base Christmas parties and stuff.
I used to think that growing up in New York made me ready for everything - for everything. Before I really got a chance to travel, I thought that I was better prepared for the world because I was from New York.
We host Thanksgiving in my mother's apartment in New York. I don't know if you've seen many New York apartment kitchens, but they are not known for spaciousness.
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
Television is much more complex, brain-challenging and involved than it used to be. It's almost impossible to watch a television show from 15 years ago; it's just too boring. I think modern television shows, with their intricate plots, are stimulating our minds. This is one reason IQs have been going up.
I've been back in New York a year and a half now. Before that I was on the West Coast for five years. There's no comparison between the two. You hear things in New York you don't hear anywhere else. Unless these guys go out. Quite a few make it out to the Coast. Of course, you can't stay in New York for ever. You have to move.
I actually never wanted to be a VJ. Never. It just so happened that I became a VJ, and I was actually kind of like, 'I don't want to be a VJ. I want to be in the movies.' So yeah, I always wanted to be an actor.
I've always liked New York even before I lived in New York. It represents something, I think, and it would be trite to say what it represents really because it's been said so many times.
Broadway shows in New York draw two times the attendance of all New York sports teams put together.
It is no accident that television has been dominated by a handful of corporate powers. Neither is it accidental that television has been used to re-create human beings into a new form that matches the artificial, commercial environment. A conspiracy of technological and economic factors made this inevitable and continue to.
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