A Quote by Shibani Dandekar
For me it is very difficult to understand the mind frame of somebody who would take time to write something hateful or negative on anybody's page for any reason.
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It was difficult for me to understand that, when you're kind to someone in a big city, a lot of the time, they think that you want something. I didn't understand that, all of a sudden, niceness meant that you were trying to get something out of somebody.
For some reason there's this myth that creativity - [especially] in terms of creative writing - is a gift you either have, or you don't. So when people first start writing, if they write something that's not very good, or if they try and it's difficult, they go, "Oh, I guess I don't have it." That doesn't seem very fair, you have to try and you have to work at it. If we get scared of one bad poem and quit, that's not doing anybody any good.
At the very beginning, I was a page at Letterman, and I freelanced for any place that would let me write any word. I wanted to do this so badly.
My art and my creativities were totally something that was of my own heart and mind. I could never let anybody dictate to me what I should write and how I would write it.
I think any great song is difficult to write, in some aspect. It's just difficult to make somebody feel something. That is the main goal. How do you make somebody want to get up and dance? How do you make somebody feel okay after their breakup?
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
We're not all thin model types, and we're not all perfectly colored. It mind-boggles me that somebody would take time out of their life to make someone feel inferior because of something like that. That, to me, is insane.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
I try to write something that would interest anybody and keep them turning the page. You must have a plot and good storyline.
At the very beginning, I was a page at Letterman, and I freelanced for any place that would let me write any word. I wanted to do this so badly. Then when I got a tiny bit of success, I was petrified that I was going to lose it.
It takes a long time to write a book. I'm not going to spend that much time trying to deliver a message. The reason I do it is because I want to understand something myself. It's not a delivery device, it's an inquiry device. Didactic fiction to my mind never works. It backfires.
If I had been asked to write 1,200 words for a newspaper tomorrow, on any subject, I would just do it rather than leave a white hole in the page. And I think it's a very healthy attitude to take to writing anything.
Well, my wife always says to me, and I think it's true, it's very difficult for us to understand the Elizabethan understanding and enjoyment and perception of form as it is to say... it would be for them to understand computers or going to the moon or something.
I'm not Joe Paterno. Somebody didn't come and tell me Bernie Fine did something and I'm hiding it. I know nothing. If I saw some reason not to support Bernie, I would not support him. If somebody showed me a reason, proved that reason, I would not support him. But until then, I'll support him until the day I die.
I hope I do not offend God by making my Communions in the frame of mind I have been describing. The command, after all, was Take, eat: not Take, understand.
Playing those one-dimensional characters is actually really difficult because you're not dealing with somebody you would ever really know. I don't think anybody here could imagine actually knowing Cindy Campbell from 'Scary Movies.' So, in a way, your job is so much easier when you're playing a person that you really understand and that seems very relatable. I think I was coming to a place in my career where I was like, "I'd like to do something a little more rewarding."
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