A Quote by Shibani Dandekar

I like to write my own songs rather than merely singing what has been handed over to you. — © Shibani Dandekar
I like to write my own songs rather than merely singing what has been handed over to you.
As for finding comfort in the zone, I'm comfortable singing what I write. I like writing emotional and slow, melodious songs. I haven't tried singing songs from other genres, but yes, I would like to give them a try.
What I can't understand is why people still won't give me the credibility that I look for. If Mojo or any other of those magazines would give me the credit for only ever performing my own songs rather than someone like Rod Stewart singing other people's songs looking for success.
When I turned 19 I kinda realized that I needed to write my own songs instead of singing songs written by other people.
I don't want to change the way I write my songs, I like the way I write my songs, so I keep 'em the same. I'd like to write more country songs, but other than that, I'm pretty good where I am.
I started singing when I was a teenager. I always wanted to write songs; I just didn't understand how someone could sing without writing their own songs.
Anything over-handed, I do left-handed. Like throwing a ball or serving in tennis. Otherwise, right-handed, like writing and shaving.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.
I think I have patient fans that want quality over quantity. It's more important to me that the project be the best that it can be and the realest it can be rather than rushing a whole bunch of generic songs, because I could do that. I could just put together some songs real quick that I really like. I only write and I only sing for a purpose, so if its not then, it's not going to be rushed.
I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.
I count myself as not only just an artist, not only as a singer, but a business woman. I write my own songs; I write my own video treatments, manage other artists. I write for other artists; it's not just about getting on stage and singing a song.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it. I felt a calling.
I used to listen to Judy Garland all the time - I love Judy Garland and her music. But I started to realize that if you keep singing like that, singing songs of being victimized by love over and over and over again, it can't help but have a profound effect on your life.
I don't really like over-explaining the songs. Everyone constantly asks what the songs are about, and I think the thing is that the songs definitely all have stories in them; it's just nice to let people decide what they are. I think it's important that people hear it themselves rather than having me annotate it.
What I mean is I'd rather be a Burt Bacharach figure, where if I did gigs there'd be other people there singing the songs. I just don't want to promote myself as an artist if you like. I've been writing loads and loads of songs and I want to feed them out and produce artists. But I have to do that from a center. There has to be a structure. It has to be from a company that has an image, that has a name.
In the morning I'd write these essays, anything that I'd feel like writing, and in the afternoon, I'd spend time with my guitar. I had decided after listening to my last four or five albums that my biggest weakness musically was melody. the reason I had been singing in a monotone over the chord patterns in my songs was that I never practiced doing melodies.
I feel like the songs that I write are best when they are performed by an ensemble, rather than by one solo instrument.
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