A Quote by Shigeru Miyamoto
What I really want to do is be in the forefront of game development once again myself.
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We need to be at the forefront of technological development again.
Most development doesn't make it to series. So you want the writer and director to have a really good experience with development because, if it doesn't work out, you want to work with them again. You have to know their work really well, know the drafts really well, and when you give notes, you need to have really thought them through.
I feed off variety. I don't want to repeat myself if I can help it, but once they've seen you doing one thing, directors often just want you to do it again.
Game development is very difficult. Nobody sets out to create a game that's not fun. It's all of the challenges and difficulties that happen throughout development that determine whether a game is a failure or a success. I think playing those thousands of games is the single best and easiest way to learn from my predecessors.
You can never say never in this game, but I can't see myself boxing again. There's loads of things I want to do.
I am from time to time congratulating myself on my general want of success as a lecturer; apparent want of success, but is it nota real triumph? I do my work clean as I go along, and they will not be likely to want me anywhere again. So there is no danger of my repeating myself, and getting to a barrel of sermons, which you must upset, and begin again with.
Once you win a National Championship, how do you do that again? How do you get the passion to do that again? We won it again right away, the next year. A lot of it had to do with the fact that I didn't give myself an opportunity to enjoy the first one.
Young people should be at the forefront of global change and innovation. Empowered, they can be key agents for development and peace.
Everyone is expecting something in each game I'm playing. I don't have to score in every game, but I want to do my best. I want to give everything for the club, for my teammates, and myself also.
As the Little House settled down on her new foundation, she smiled happily. Once again she could watch the sun and moon and stars. Once again she could watch Spring and Summer and Fall and Winter come and go. Once again she was lived in and taken care of. Never again would she be curious about the city... Never again would she want to live there... The stars twinkled above her... A new moon was coming up... It was Spring... And all was quiet and peaceful in the country.
Writing a novel is like childbirth: once you realize how awful it really is, you never want to do it again.
I prefer to have the music as pure as possible. I don't want to say, 'Oh yes, this is good. This is not good; I have to do it again.' I don't want to do it again. I want to do it once. It's no good, I do another one.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
All we really want in the end is to be connected once again with the Truth of our being, to realize what it is that wears this mask of self.
I've never had a time where I didn't want to do my jewelry anymore. Once I started it, and once I realized I was really doing something I loved, I gave it my heart. When we first started the company, I did it all myself in our living room.
Often when I finish a film I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.' And then, thank God, that feeling goes away after a month or so and I'm raring to go again.
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