A Quote by Shikhar Dhawan

When I scored my first century, I naturally lifted my arms up, feeling very happy, looking at the Almighty above. That became my signature style. All these things are natural, not practised.
It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.
My style is my strength. It is my natural game. That is how I grew up and scored most of my runs.
If above all things we would taste God, and feel eternal life in ourselves, we must go forth into God with our feeling, above reason; and there we must abide, onefold, empty of ourselves, and free from images, lifted up by love into the simple bareness of our intelligence.
My natural state is to be happy. I'm naturally buoyant. I wake up feeling, 'What a great morning!' I've had some tragedy in my life, absolutely, but I don't know one human being who hasn't. You either learn from it and become empowered by it, or you become a victim to it. It's life, after all.
If you are really feeling happy, you are feeling happy even if the whole world contradicts you. If the whole world agrees that you are not happy, then too it doesn't matter. Your happiness is real. It cannot be canceled by anybody's opinion. But if your happiness is unreal, it can be canceled by anybody. Even a small child can cancel it. You will be constantly looking towards people. You will be smiling, trying to show that you are happy so that they can say, 'Yes. You are very happy. You look very happy.'
I am very happy and proud - I played a lot of school cricket and scored heavily there, and then the Ranji Trophy, but when we represent India, it's a different feeling.
I don't think I'm intentionally rejecting anything for the sake of rejecting it. I do think though that my style is hard to define around a certain signature. Perhaps the haphazard style will itself become a signature?
During my time at Juve, I didn't score more than 20 goals a year, but I won every title except the Champions League. I've scored 15 or 16 goals, and I've lifted titles, and other strikers have scored 35 and haven't won anything.
Turbulence, like many forms of trouble, cannot always be seen. We bounce so hard my arms sail helplessly above my head. In evolution, wing bones became arms and hands; perhaps I'm de-evolving.
I'm going to be happy. I'm going to skip. I'm going to be glad. I'm going to be easy. I'm going to count my blessings. I'm going to look for reasons to feel good. I'm going to dig up positive things from the past. I'm going to look for positive things where I stand. I'm going to look for positive things in the future. It is my natural state to be a happy person. It's natural for me to love and to laugh. This is what is most natural for me. I am a happy person.
It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
Everybody is looking for a naturally occurring algae that is going to be a miracle cell to save the world, and after a century of looking, people still haven't found it.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
Nothing was a style first. Everything started as an idea. A guy did something with an idea. Someone copied him. Some copied all of them and it became trendy and then it became a style.
Very few people have a natural feeling for painting, and so, of course, they naturally think that painting is an expression of the artist's mood. But it rarely is. Very often he may be in greatest despair and be painting his happiest paintings.
Everyone's got that frustrating thing and that's a natural feeling, but you know I'm 31 years old and I'm happy with what I'm doing. You know I'm not rich, I'm not wealthy at all but I'm happy and I'm surrounded by the people and the things that I care about and it's good.
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