A Quote by Shilpa Shetty
Indian films are always very passionate and romantic, and so long as the scene is done well aesthetically, I have no qualms doing it.
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I enjoy doing an action scene. I'm not a purist as far as films go. If you want to do sex, great. As long as you do it well.
Honestly, I was always very keen on acting in the South Indian films. I think people here have a notion that Bollywood actresses aren't keen on doing films here but let me tell you, we are.
There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.
Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision.
'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
There's absolutely no doubt that I enjoy doing romantic films more, and they've worked for me, too. But I love doing action as well.
My movies have always done pretty well in the UK - 'The Matrix' films did very well in this country and I do like the crews here and the people we're working with here.
In terms of romantic films, all-time romantic films, I really like 'Gone With the Wind.' And I realize I sound so cliched saying that, but there's something so absolutely romantic about it.
My overall quest is always to do something that's somehow different from whatever it is that I just got done doing. If that can include occasionally playing an older guy who has a romantic side and a romantic relationship, than that's a real treat.
In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.
I don't want to be typecast as a heroine who does a certain kind of cinema, which is why I experiment with the types of films that I do. But yes, I won't deny that romantic love stories or romantic comedies are what I enjoy doing the most, because as an audience those are the kind of films that I like watching.
It is very difficult for a South Indian to do well in Hindi films. But I have been very sincere and have put in a lot of hard work.
I've been very passionate about animals for as long as I can remember, and ever since I became an actress, I've always done my best to get involved with animal charities and such.
Indian films do well in Pakistan. Pakistani artists do well in India. The signal has always been clear that people on both sides of the fence are not interested in the hatred.
The experimental film scene was very much misogynistic as well. I don't know if you have read what little attention was given to the films of Joyce Wieland, who was the wife of Michael Snow. Michael was the "genius" and she was not. If you look at the films they're wonderful, but very different. Michael was very proud of the films too, so it was not coming from him. It was coming from the general environment. I think both Chantal Akerman and I shared that. We wanted to find a language, which was the language of women.
I love Billy Wilder, and I love the way that his films can be very touching and very moving and very romantic, and at the same time there's always a little cynical undertone, there's always something that undercuts things.
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