A Quote by Shing02

From black and white to a sepia tone, some dreams come with a tint or in monochrome — © Shing02
From black and white to a sepia tone, some dreams come with a tint or in monochrome
With the black and white films, one was concerned with tone... You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.
You can't shoot in sepia, so converting into black and white and then into brown makes everything feel less real.
Black people in America have come from slavery to other forms of being oppressed and there are some things that come with that - some pain and anger that come with that and we as black people have to deal with it to heal that. White people have to understand it and have some compassion toward it.
Not only does a lens distort forms, but the ordinary plate makes an unholy mess of colour in its tone relations. Yellow becomes black, and blue white. Black sunflowers against a white sky - what a travesty!
Just simple things - I like black and white, monochrome; I like suits.
I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.
I've changed the way I look a bit but not intentionally. I've cut my hair. I've got a bit of pink in it and lately I've become a bit monochrome, wearing a lot of black and white.
Each of us chooses the tone for telling his or her own story. I would like to choose the durable clarity of a platinum print, but nothing in my destiny possesses the luminosity. I live among diffuse shadings, veiled mysteries, uncertainties; the tone of telling my life is closer to that of a portrait in sepia.
The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.
The local-tone is the intrinsic value of a thing - excluding any effects of light. The local-tone of a common pearl is very nearly white; that of a lump of coal, nearly black.
I would never try and play like Harry James, because I don't like his tone - for me. It's just white. You know what I mean? He has what we black trumpet players call a white sound. But it's for white music ... I can tell a white trumpet player, just listening to a record. There'll be something he'll do that'll let me know that he's white.
With the black and white films, one was concerned with tone.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Some white people hate black people, and some white people love black people, some black people hate white people, and some black people love white people. So you see it's not an issue of black and white, it's an issue of Lovers and Haters.
The more gifted and talkative one's characters are, the greater the chances of their resembling the author in tone or tint of mind.
India has a natural brownness to it, a natural yellowness, a sepia tone to it, with the dust in the air.
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