A Quote by Shingai Shoniwa

We are able to speak for ourselves through our music rather than being defined and put into the spotlight in a very male kind of groomed way for an obviously predominantly male audience.
It's predominantly a male society, predominately a male culture, predominantly a male theatre, and predominantly male critics, but that's changing, definitely.
The dumber half of the audience - whether they're male or female, and a lot of them are male - for some reason responds very quickly to the feminine voice. How can I put it? They kind of instantly react to the female voice in a positive way quicker than they would the male voice.
The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
Yes. The original argument is defective. Substitute the word 'male' for 'gay,' and you'll see the flaw: 'Male people cannot be normal. If everyone were male starting tomorrow, the human race would die out, so being male cannot be nature's intended way.' Or you could substitute the word 'female.' In either case, the argument makes no sense: Being male or female is perfectly normal.
A tendency for the male perspective to dominate responses to films, whether that's commissions or how a film is presented in the world. The market is used to a male voice and a male audience, which it feeds
Girls often feel very powerless in their lives and their families, and they kind of mimic the male violence as a way to try and get some of that male power that they see lacking in their own lives.
'Friends With Benefits': it feels like a two-hander to me, but it is a big movie, and this is the first straightforward male I've been able to play. I would describe my character in 'The Social Network' as a kind of sociopath. I would describe my character in 'Bad Teacher' as... just a weirdo. But this is a male's male.
Obviously, untangling sex from aggression and violence or the threat of it is going to take a very long time. And the process is going to be greatly resisted as a challenge to the very heart of male dominance and male centrality.
We are used to women's narratives being defined through the male perspective. I challenge that as a concept.
In terms of the people that President [Donald] Trump is going to have around him, the cabinet. Predominantly white, predominantly male.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
All the accoutrements that distinguish us from animal existence were put in place when we had a different kind of mind than we have now. We didn't have a mind that favored role specialization, and male dominance, and anxiety over female sexual activity related to feelings of male ownership. That all came later.
Black women are programmed to define ourselves within this male attention and to compete with each other for it rather than to recognize and move upon our common interests.
A female's career as an actor is very different from a male's career as an actor. That's just the way it is. So, I'm fascinated by really strong male careers that have inspired me, and also really incredible male roles.
Every modern male has, lying at the bottom of his psyche, a large, primitive being covered with hair down to his feet. Making contact with this Wild Man is the step the Eighties male or the Nineties male has yet to take. That bucketing-out process has yet to begin in our contemporary culture.
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