A Quote by Shinobu Yaguchi
I certainly have more enthusiasm when I'm dealing with marginalized people in Japan, and as a creative person I am part of that marginalization.
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That is just the reality of being a marginalized person in this country: you have to deal with the psychological impact of your oppressor - whether that's being a woman dealing with men or gay people dealing with straight people or trans people dealing with everybody else.
The frustration of being marginalized often gets misdirected at the most visible members of one's own community, because they are more accessible than the real agents of marginalization.
The forgetting of the history of marginalized groups is both a cause and effect of their marginalization.
Visibility has an effect on those who are privileged; it brings more privilege, and on those who are marginalized, it brings more marginalization, because it also brings a spotlight onto them where they're at, in the hood or in certain places that are less tolerable.
A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.
I think sometimes feeling that you've been marginalized opens you up to the realization that, in their own lives, almost everyone experiences marginalization, a kind of foreigner sense.
So I sat down with him and portrayed more the side of the character he needed to see. Which is what I do when I go in for an interview for a part I like. As much as you think you're dealing with creative people, they see you for what your image is out there.
It has been said that "to enthuse" means "to fill with spirit," and that spirit of enthusiasm is awaiting release or manifestation. Enthusiasm can be harnessed and activated. It can be transferred from one person to another. The energy of enthusiasm is similar to a radio signal that carries around the world. It can be transmitted and received; and when enthusiasm is shared by a group of people, it can be potentiated to a higher degree of power.
Creating more characters that represent historically marginalized and historically disenfranchised people in television and film is certainly important.
Creative people are more emotionally charged, so I am a super sensitive person.
When social movements engage in legal reform, they often mobilize images of people from their constituent population who most match national norms about what "deserving citizens" are like, and use those people as spokespeople and as lead plaintiffs in legal cases. This strategy requires that people who are experiencing intersectional harm - who are vulnerable through multiple vectors of demonization and marginalization - be further marginalized and disappeared by the advocacy.
For the most part you are dealing with jealousy, you are dealing with love, you're dealing with hatred, you are dealing with revenge and all of these sort of classic things.
I am a people's person, chatty and enthusiastic. My enthusiasm is infectious.
I feel that all girls like clothes and I'm more of a creative person. If it's writing the album or developing the makeup range, it's just about being creative. That for me is where I am happiest.
I am not dealing with footballers, I am dealing with people. They have fears and worry about failing and making fools of themselves in front of 80,000 people. I have to make them see that without each other they are nothing.
I am less selfish. But I am more insistent on being part of the creative experience. I find I am a better mother, lover and wife when I am writing. When my daughter was small I wasn't writing as much and I didn't miss it.
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