A Quote by Shiri Appleby
I'd love to be a huge television director. I definitely want to do that. I could imagine me going more and more into that, as I age.
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Oh, I definitely want to direct. I have young children. My job is already big enough, and I imagine it will be even more so as a director, and I don't want to miss out on them growing up. I'm going to wait until they're a bit older before I leap into that seat.
Reality shows like 'SaReGaMaPa' are a huge platform for young talent. Thanks to television, they have more exposure than we could even imagine.
One of the problems with industrialism is that it's based on the premise of more and more. It has to keep expanding to keep going. More and more television sets. More and more cars. More and more steel, and more and more pollution. We don't question whether we need any more or what we'll do with them. We just have to keep on making more and more if we are to keep going. Sooner or later it's going to collapse. ... Look what we have done already with the principle of more and more when it comes to nuclear weapons.
I like to adapt to a director's way of working. I love doing that. Each director is so different, and you have to adapt to this new way of doing something. That's what's amazing to me. That's why I love directors. I don't want to director to have to work around me. I think it's more fun for me to come in on their thing.
In a way, we're going backwards. In the early '80s, it was like all these huge strides, and everything was more free and easy. I think we're going back. I don't know if it's the economics or what, but things are getting more right-wing, definitely.
I feel like as you blossom more, you become more mature, and I'm definitely excited for whatever life has to throw at me, and knowing me, I'm definitely going to be sharing it all.
The process of doing films is not my favorite, but I love television. Television is a quicker turnaround. You shoot more during the day, which makes me feel more productive. It would be like, 'I did five scenes today and ten pages.' That's television.
In an age of speed, I began to think nothing could be more exhilarating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.
It's cool to get some more energy going and more interest. It's definitely more than it was, still not as much as I'd love it to be, but things are picking up and interesting projects are coming my way, and I love that.
I think we need more love in the world. We need more kindness, more compassion, more joy, more laughter. I definitely want to contribute to that.
The only good teachers for you are those friends who love you, who think you are interesting, or very important, or wonderfully funny; whose attitude is: "Tell me more. Tell me all you can. I want to understand more about everything you feel and know and all the changes inside and out of you. Let more come out." And if you have no such friend,--and you want to write,--well, then you must imagine one.
That the world I was in could be soft, lovely, and nourishing was more than I could bear, and so I stood there and wept, for I didn't want to love one more thing in my life, didn't want one more thing that could make my heart break into a million little pieces at my feet.
At a certain age your parents seem like the most embarrassing thing on the whole entire planet, and you want to be nowhere near them. But at the end of the day, you know that you can't literally do anything without them. You love your parents through and through, and they love you probably even more than you could ever imagine until you're a parent yourself.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
I left Paramount at the ripe young age of sixty. A generation ago, that would have been retirement age. But my generation has more energy, more drive, and a greater life expectancy than any group of retirees before us. We are going to be here for two decades or more past 'retirement' age and we want to do something relevant in the so-called third act of our lives.
We're in the second golden age of television, and to me, one of the most profound things that's happening in TV is just that by default that opened the door to more women, more people of color, more outliers. It's one of the greatest side effects of the digital revolution.
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