A Quote by Shiri Appleby

Just having more days of being the director on the ground, that's been invaluable. — © Shiri Appleby
Just having more days of being the director on the ground, that's been invaluable.
With 'Moreau,' it's been particularly confusing because I started out being the writer of the screenplay and then trying to be the director, then being moved from being the director and having to become the dog extra, it makes some kind of sense to suddenly become a character in the story.
I've been working on my ground skills. Putting in there upwards of 3 to 6 hours a day dedicated to training. And of course part of it is groundwork, and being that I am a striker, ground work for me is more for positioning and striking on the ground.
Obviously, anytime you have family or friends or anybody who has been in the business you're in or been down the path, it's an invaluable asset, an invaluable centre for advice.
With every kid, there has just been a deepening of my humanity, because there's no more of a feet-on-the-ground moment than having a child.
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
Being an actor really, really strengthens me as a director. There's just a certain type of understanding that comes from having been there and knowing how much is really being asked of actors that helps me.
I said at the start of the race that the Tour is about being good for 21 days, being consistent every day, not having super days and bad days.
There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
Having that kind of endorsement and having Paul Graham's readership coming to your site and contributing to it and building the foundation of the community was just a really invaluable way to start Reddit.
I've been writing so much. And what happens with TV is that they split [Taboo] into two blocks, so you get a director that does four and another director that does another four. You commit yourself to seven days a week, for 12 or 13 hour days for a long time. I couldn't really do that.
The New Testament is an invaluable book, though I confess to having been slightly prejudiced against it in my very early days by the church and the Sabbath school, so that it seemed, before I read it, to be the yellowest book in the catalogue. Yet I early escaped from their meshes. It was hard to get the commentaries out of one's head and taste its true flavor. [...] It would be a poor story to be prejudiced against the Life of Christ because the book has been edited by Christians.
I've been shocked by film actors - 25 and under - having such confidence and cockiness to rewrite a scene. My background is more about the director being in control. It's all about yielding. It's an oddly submissive relationship in which you're moulded, Pygmalion-style.
I've been thinking about that a lot too lately, These Days. I think it's becasue I grew up in retail, in costumer service. I grew up having to talk to everybody, having to sell to everybody so now that I can just sell me, it's fun. It's not even a sale, it's really just me being me.
There's just so much experience that comes with being on set and working with good actors, and having bad days and good days.
I'm of the opinion that we're always on holy ground and some days it's just more apparent.
Having worked on climate crisis for almost 40 years now, I've seen good days and bad days. And through all of that time, the general trajectory has been it's getting worse, it's getting worse. But in the last ten to 20 years, there's a second development; the solutions are more and more, and more available. So having this broad overview that I've developed over a long period of time, I now see the evidence that the solutions are available. We're gonna do this.
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