The subject of contemporary art should include a political dimension, the distrust contemporary art has towards the existing order. One manifestation of this distrust is the mechanical dichotomization between art's form and its political content; the other is the institutionalizing tendency of anti-institutionalization. We almost never resist ourselves - the part of ourselves that has been institutionalized. We have occupied the word "resistance" and have become its owner, while "resistance" has become our servant. Thus, we own "resistance" and occupy it as a position of power.
The mental suffering you create is always some form of non-acceptance,
some form of unconscious resistance to what is.
On the level of thought, the resistance is some form of judgement.
The intensity of the suffering depends on the degree of resistance to the present moment.
The resistance does not mean that everyone can carry a weapon. The weapon is only for the people of the weapons.
I do believe motion pictures are the significant art form of our time. And I think the main reason is, they're an art form of movement, as opposed to static art forms of previous times.
Hip hop - it's an art form but it's a culture as well. You grow up in the culture and you never leave it. It's a style of dress; it's a way of thought. I always grew up in the culture, and it was part of who I was and I carried it into every world I was in.
We know that art is connected with the land, with its salt, with its smell, that outside of national culture there is no art. Cosmopolitanism - a world in which things lose their color and form, and words lose their significance. We love in our past all that we consider native, wonderful and fair.
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas every day, we read novels by the millions, and buy records by the billions. 'We the people' affect the making and quality of most of our culture, but not our art.
Man's greatest advances are weapon advances. Culture follows from weaponry, we are militant like the animals and birds - defending our homes. No matter how far back you go in history, along with the struggle for existence, along with the survival necessities - kill or be killed, eat or be eaten - there is a hunger for something spiritual. He invents God, prayers, incantations to something above him. Why? This is not brought out - this is not weapon culture.
The reason why the music [jazz] is important is because it's an art form-an ancient art form-that takes in the mythology of our people.
Resistance is always possible! But we must engage in resistance first of all by developing the idea of a technological culture.
I say to myself, go on seeking, be glad for being sensitive, be glad you're able to go beyond the resistance inside you. It is our resistance to what we experience that makes creativity possible. So don't get rid of resistance like that by going around it or trying to eliminate it. Our own limitations put up strong resistance, but it's because of that that we are creators
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.
Resistance and change often begin in art, and very often in our art - the art of words.
All inner resistance is experienced as negativity in one form or another. All negativity is resistance. In this context, the two words are almost synonymous.
Negativity ranges from irritation or impatience to fierce anger, from a depressed mood or sullen resentment to suicidal despair. Sometimes the resistance triggers the emotional pain body