A Quote by Shirin Neshat
To me, editing is not something you can do in a rush because the artists themselves are not always their own best editors. Time is absolutely everything.
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For better or worse, editing is what editors are for; and editing is selection and choice of material. That editors newspaper or broadcast can and do abuse this power is beyond doubt, but that is no reason to deny the discretion Congress provided.
There are some artists that I'll always be cool with. We'll kick it and we'll check on each other from time to time. It's not always about number one records or gaining something off from being around me. I experienced all of those people that came into my life that vanished as soon as the rumor came out. They didn't even call to ask what was going on. Those that know me know that it's not true. Those people really broke my heart because they treated me differently. Just going from having everything to losing it all. I lost everything because of that.
The writing is what gives me the joy, especially editing myself for the page, and getting something ready to show to the editors, and then to have a first draft and get it back and work to fix it, I love reworking, I love editing, love love love revision, revision, revision, revision.
But yeah, it's funny because I used to talk so fast before 'Gilmore Girls' and it took me several years of auditioning and being comfortable in auditions to sort of take my time because I would just go into it and rush, rush, rush.
Teaching regularly has made me an even more adept reader, I think. The kind of teaching I do is more like editing than anything else. The kind of editing book editors used to do before lunch. The kind of editing I used to do as a radio documentary maker.
I think that sometimes people fear continuity because it can turn into repetition - and there's a lot of artists who are really good at creating something new all the time. But for me it's about the consistency in my story. Because after all, I'm the protagonist in everything. All the songs are about my life so naturally there will be some connection because I'm still the same person I've always been.
One of the best rules anybody can learn about investing is to do nothing, absolutely nothing, unless there is something to do. Most people – not that I’m better than most people – always have to be playing; they always have to be doing something. They make a big play and say, “Boy, am I smart, I just tripled my money.” Then they rush out and have to do something else with that money. They can’t just sit there and wait for something new to develop
The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.
The best advice I ever received was to not rush time. Things will present themselves when the time is right.
You can write the best book you can, and that might still not be enough. Appeal isn't something that most writers can't strive for or identify. It's something even the best agents and editors can't always identify.
From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw absolutely everything in New York. Absolutely everything.
The lovely thing is, if Marvel had a Spider-Man movie over at Sony or something, they own the rights to the character, and the editors and producers make suggestions and get notes and things. But you're talking about Matthew Vaughn and Jane Goldman. They're two of the best people in the world. The notes are just things like, "This is absolutely brilliant."
But it's strange, when you've always been told something is true, like the moon will come back. You need proof. And while you wait, you feel the entire balance of your world just tipping. It's crazy. But when it's over, and it does come back, that's the best, because it's all you want, everything narrows to just that. It's this great rush, like for that one second everything's okay with the world again. It's amazing.
I have noted that, barring accidents, artists whose powers wear best and last longest are those who have trained themselves to work under adversity. Great artists treasure their time with a bitter and snarling miserliness.
The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.
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