A Quote by Shirin Neshat
I'm really interested in social justice, and if an artist has a certain power of being heard and voicing something important, it's right to do it. It could still be done in such a way that it's not aggressive or overly didactic. I'm trying to find that form.
Related Quotes
I really wanted to know what happens in a place that is trying to build socialism, that's trying to construct some form of social justice. That's trying to feed people, to make health care and education a right.
I think something that's really important to me is trying to do what I can from my position of power that comes with having a social media platform to dismantle certain systems that I think are really gross and harmful.
This year I've just been aggressive. I still have that mindset of passing the ball, and being aggressive and attacking to the basket is going to draw more attention, and that way I can find my teammates. Being in attack mode is something I try to bring into every single game, and that's what's making me be so successful.
I'm always trying to find something unique or a project that I can do something unique in. When the director has a vision for a piece that I've never heard before, and they can back that up with visuals and they talk a good game, I get really interested in the world that they're trying to create.
I just like voicing films in general. I do a lot of documentary work and it's a short hop really to narrating a character, especially if you're on film and you're there in a visual way. It sounds obvious, but voicing an animation really focuses you on the way that you're communicating through your voice. It's a very specific ability that you need to be able to have in order to pitch it just right.
I could not find any way that we could really run the kind of campaign I wanted to run if we were targeting delegates and still trying to talk to people, which is what keeps me going as a human being.
There could be an independent labor-based party, which might over time become an important force the way the Labor Party did in England. To all of these things there are plenty of barriers, in the culture and in the social and political institutions, the concentration of economic power. But these are not insuperable barriers, I think. They can be overcome. And it is urgent that this be done, because there are really incredible problems that are simply not being addressed.
Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I trust form, trust my feeling or capacity to find the right form for something. Even if that is only by being well organized. That too is form.
I think you set up certain standards. I've always kind of believed in the Neil Pert way of making records where I'm trying to step it up every time I do something. You're trying to better yourself. You're also trying to make your audience or your listeners more interested. So, if you can up it, I think that's important.
When you do something that works you have a happiness, but I don't know if it's a feeling of power. Power is a frightening thing and that's not what I'm interested in. I want to do certain things and make them right in my mind and that's it.
I'm interested in acting roles that I want to do, that are meaningful to me in some way. I think, because my kids are still pretty young, if something is meaningful and it's a good little part that I could do or feel that I can have fun with, then I'm interested in it. I'd like to be able to do a TV show or something and really have a voice in it.
The Bush people have no right to speak for my father, particularly because of the position he's in now (Alzheimer's Syndrome). Yes, some of the current policies are an extension of the '80s. But the overall thrust of this administration is not my father's - these people are overly reaching, overly aggressive, overly secretive, and just plain corrupt. I don't trust these people.
Find what you love and find a way to make that part of your every day. You have to find the confidence to take certain risks. You're going to hear a lot of no's before you get to the yes'. It's important to have that confidence to overcome that and know it's part of trying to grow something big.
I wasn't so interested in merchandising through CD or whatever form. I wasn't really so aggressive about promoting my own work. I had my recordings from the past, but I never thought someone was interested in releasing it.
Every musician I have ever heard has influenced me. I often find I emulate micro-aspects of an artist, and combine it to form something new and unique.
The only way that we can prove the relevance of Fanon in a certain way outside of some academic circles is to ask, do people involved in social struggles engage with Fanonian concepts and find something relevant for them, even if they have never heard of Fanon because Fanon is implicitly in the struggles?
Related Authors
Ai Weiwei Quotes
Chinese
Artist
Andy Warhol Quotes
American
Artist
Claude Monet Quotes
French
Artist
David Hockney Quotes
English
Artist
Gerhard Richter Quotes
German
Artist
Henri Matisse Quotes
French
Artist
Kehinde Wiley Quotes
American
Artist
Leonardo da Vinci Quotes
Italian
Artist
Marcel Duchamp Quotes
French
Artist
Marina Abramovic Quotes
Serbian
Artist
Maurice Sendak Quotes
American
Artist
Michelangelo Quotes
Italian
Artist
Paul Cezanne Quotes
French
Artist
Robert Genn Quotes
Canadian
Artist
Robert Henri Quotes
American
Artist
Yoko Ono Quotes
American
Artist