A Quote by Shirley Ann Grau
In brief, I spend half my time trying to learn the secrets of other writers - to apply them to the expression of my own thoughts.
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I spend all my time trying to keep thoughts away and ignore them....But here you are, trying to remember your own life, writing your thoughts down so that you don't forget. I suddenly realized what it would be like not to know, not to remember.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
Half the trouble in the world arises from men trying to anticipate their time and season, and the other half from their trying to prolong them.
My main objective is to introduce students to dance and the other arts, not necessarily for them to pursue, but as a method of discipline. When they learn to apply themselves freely they can learn to enjoy themselves and apply that tool of discipline to other interests.
I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.
Writers spend all their time preoccupied with just the things that their fellow men and women spend their time trying to avoid thinking about. ... It takes great courage to look where you have to look, which is in yourself, in your experience, in your relationship with fellow beings, your relationship to the earth, to the spirit or to the first cause—to look at them and make something of them.
Secrets have power. And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it's really best to keep your secrets when you have them, for their own good, as well as yours.
To sing with other people and for other people, that's when you can really learn something about your voice. You can only learn so much if you create your own boundaries all the time. But then, other people can really teach you something. You know, if you're trying to sing with them, or if someone brings a style.
I don't think contemporary writers spend a lot of time reading each other. Particularly writers of the same nationality.
Kids who are least impressive in my class are the ones who only listen to one kind of music. They only listen to country or only to rap or to gospel or anything. It's a sad thing. I try really hard to get them to go out and listen to things. It's amazing what you learn. ... I'm still trying to learn. It's not like I'm going to be a calypso singer. That's not going to happen, but I'm sure there's something in that, that I can learn from and apply to my own work.
I spend half my time comforting the afflicated, and the other half afflicting the comfortable.
I spend half my time just living my life, and the other half analyzing it.
There's no one more valuable for me to learn from than Tom and his wife, Gisele Bundchen, in a lot of ways. Every time I'm around them, I learn. The way they are with their kids, the way they make time to spend with each other, they are just good people.
Those who practice lower sorcery hurt themselves the most because they interact with negative thoughts and apply power to them; they devastate their own consciousness and their own lives.
You spend hours alone, only with your thoughts, and you torture yourself. It's a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.
Life knows us not and we do not know life—-we don’t know even our own thoughts. Half the words we use have no meaning whatever and of the other half each man understands each word after the fashion of his own folly and conceit. Faith is a myth and beliefs shift like mists on the shore; thoughts vanish; words, once pronounced, die; and the memory of yesterday is as shadowy as the hope of tomorrow
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