A Quote by Shirley Ballas

When I moved to L.A. I was single and didn't want to be on my own. — © Shirley Ballas
When I moved to L.A. I was single and didn't want to be on my own.
If you want to stand with me as a single mom - and I know so many of my friends and colleagues do - please don't appropriate my burden as a way to validate your own. To suggest that you are single-parenting when you are simply solo for the weekend devalues what real single mothers do.
It was something I always wanted to do, to own a restaurant, because I love food. But particularly when I first moved to London, because I was on my own - I was single, away from my family, so it seemed very important, to have a place where you could go to meet friends and eat.
I see the hitter when he's moved in the box, like when he's moved closer to the plate or changed his stance. I see when the batter has moved his feet, and then I make my own adjustment.
I think I'll be single my whole life. It's entirely possible I'm going to end up alone. Because I don't want to make any sacrifices for my own development and achieving what I want to achieve, and I don't want a family to get in the way of that.
I like stories that begin with characters. I like to be engaged and moved by the characters in the story. I want to be moved. I want to leave the cinema and think about what I've seen. My sensibility is quite eclectic and it doesn't matter if they are small or large films, I just want to make good films.
The audience. They see the name Mel Brooks, they want something really funny. They don't want to be moved; they don't want to be taught any lessons. [...] I get more letters for ?Twelve Chairs ?and ?Life Stinks? than I get from any other movies, because people actually agree with the philosophy, or were moved, or they love the movie.
I was born in L.A., then we moved to Hawaii, then we moved to New York, then we moved to Baltimore, then we moved to California, then we moved to Hawaii, then we moved to Texas, then we moved to Hawaii, then we moved to California. This was before I was 17.
Just take yourself back to September 2001. As that month went on, and as that autumn unrolled, everybody wanted to do something. How can I help? Do you want my blood? Do you want money for the victims? I was a captain in the Marine Corps. I knew what I could do. I was right there. I was ready. I saw it. I moved the rubble with my own hands.
I moved from Stockholm to London, and I didn't want to work with my parents or have them help me in any way, I think just to prove to myself that I have my own talent.
A lot of what I've had produced are plays, and I just don't want to do that. It's different than a movie, where you only have to act the scenes the one time, and you have other collaborators helping you make it better, so you don't feel as obsessed with your own mind. Plays you have to do every single night, and the thought of that is agony to me. There are days when you hate your own work, and you don't want to be confronted with that, have it coming out of your mouth or listening to somebody else say it to you. There are days you want to leave the theater and get a drink.
This patriotic revolution where people want to find their own identity are not racist but want to fight for the preservation of their own people. Their own country, their own values. Their own money. Their own borders. This is such a positive thing.
When I moved out to L.A., I went on 156 auditions before I booked a single thing.
When I first moved to Austin in January of 2000, I went out drinking and smoking every single night for a year. And it was really fun at first, but then I started to feel kind of weird because, before I moved here, I had a vision of myself becoming a new person once I lived in Austin. I just hadn't realized that person might be Nick Nolte.
A lot of people ask why I don't talk about my dad, and I want to, I just don't have that many stories. When he moved out, he moved to a different state, so it was just my mom and I.
My family, before the divorce, moved several times, and after that we moved a whole bunch more times, and so I don't have an anchor to a single place. Probably as a result of that, I'm a little more attenuated to when people do feel close identification to place, whether they say it out aloud or not. I think that there's a sort of local patriotism that is deeper than national patriotism.
People on the Left really want a single-payer system. They really want - so even the Left doesn't want Obamacare. They want single payer, and we want a market-driven, patient-central system.
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