A Quote by Shirley Geok-lin Lim

The problem of the female body is not something that I've studied, but my memoir does treat that theme. — © Shirley Geok-lin Lim
The problem of the female body is not something that I've studied, but my memoir does treat that theme.
I would be so mad if I saw something called a memoir, and then it was Mike Birbiglia. It would be so infuriating. It's like, 'Who is this guy, and why does he have a memoir?' David Letterman could write a memoir. Joan Rivers could. I'm just a nobody. I'm a comedian and a writer.
Most psychologists treat the mind as disembodied, a phenomenon with little or no connection to the physical body. Conversely, physicians treat the body with no regard to the mind or the emotions. But the body and mind are not separate, and we cannot treat one without the other.
It is absolutely the central theme in my design philosophy - that life is erotic, period. The female body is one of the most extraordinary designs ever done in this universe.
Typically, the theme of my albums, if there is a theme, is, 'How does it feel?' And that always leads to love songs. It just does.
A man needs to be polite, not just to me but to everyone. I watch that. How does he treat the waiter? How does he treat the coat-check girl? How does he treat the driver?
We may treat of the Soul as in the body - whether it be set above it or actually within it - since the association of the two constitutes the one thing called the living organism, the Animate.Now from this relation, from the Soul using the body as an instrument, it does not follow that the Soul must share the body's experiences: a man does not himself feel all the experiences of the tools with which he is working.
I studied music; I studied theater. I went to school for it, so I kind of treat it in that manner, that whether or not I can hang out, I've always been the one to go in my room and chill.
I don't want there to always be this stigma of the "female" artist. "Oh, what does it feel like to be a female doing something?" That hurts me.
The female body is a masterpiece. Everyone likes to look at the female body, especially in dynamic, athletic sport.
I treat my body the same way I would treat a brand new car. You have to treat it well so it can run for a long time.
What happens when a female writer invokes a female muse? Does something else happen? With Sappho's figures of desire, we have a different lesbian energy.
If something's wrong with my body, I make sure to address it right away and not try to let it linger because it creates a bigger problem. You just have to understand your body, and when your body tells you something you just have to react.
There are certain aspects of me that can be bad-ass sometimes, but being able to push it to the extreme is something I'd love to play. You don't get those roles, as a female, and especially as an indigenous female. There aren't those roles out there, so I want that. I want women to see a strong, sexy female without showing her body too much.
Part of the problem is that many directors treat female characters too often as precious. Or they want to live in a fantasy world where they just do spinning hook kicks and knock out guys who are six foot four, and that doesn't work either.
A lot of my songs are very personal, always, but this one felt like a memoir. I almost called it Hallucinated Memoir. "Granny" is a hallucinated memoir. It's straight-up symbolism for my life, in many ways.
One of the most common outcomes of a depressive illness is a mistreated body. Now is the time to treat your body well. The more you learn to treat yourself well now, the less treatment you'll need down the road.
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