A Quote by Shirley Geok-lin Lim
Some Asian American male scholars have claimed this muse to be Guong Goong, God of Literature, and, simultaneously, although not coincidentally or triflingly, God of War, but I did not have such a gendered muse in mind then.
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The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
When you're a female poet, would you, therefore, invoke a male muse? When nuns get consecrated into their vocations, they become brides of Christ. Christ is the bridegroom. In these symbolic actions, rather than in physical actions, where a male reaches sexuality or participates in intimate exchanges, if one uses a different term - there's often a heterosexual figuring that takes place. The male poet invokes a beautiful female muse. The virginal nun consecrated invokes the male bridegroom, Christ.
From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.
The muse is not an angelic voice that sits on your shoulder and sings sweetly. The muse is the most annoying whine. The muse isn't hard to find, just hard to like - she follows you everywhere, tapping you on the shoulder, demanding that you stop doing whatever else you might be doing and pay attention to her.
In spite of its romantic frisson, the position of muse is very vague and largely thankless for the muse herself.
People think of me as a stereotype: muse, privileged, decorative. Classically, the muses were the inspiration. They'd come and go - they wouldn't actually make things, get their hands dirty. I don't think I'm a muse, although I think I can help pull a trigger. I really like getting my hands dirty.
Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
My muse changes all the time because I think every designer is a bit of a muse for themselves in a way - they just don't want to say it.
I find it a great and fatal difference whether I court the Muse, or the Muse courts me. That is the ugly disparity between age and youth.
I'm not in control of my muse. My muse does all the work.
His followers called him Mahasamatman and said he was a god. He preferred to drop the Maha- and the -atman, however, and called himself Sam. He never claimed to be a god, but then he never claimed not to be a god.
Most people assume that a muse is a creature of perfect beauty, poise and grace. Like the creatures from Greek mythology. They're wrong. In fact, there should be a marked absence of perfection in a muse--a gaping hole between what she is and what she might be. The ideal muse is a woman whose rough edges and contradictions drive you to fill in the blanks of her character. She is the irritant to your creativity. A remarkable possibility, waiting to be formed.
It can pay off, being a hack. Given the depraved state of American culture, a slick dude can make millions being a hack. But even if you succeed, you lose, because you’ve sold out your Muse, and your Muse is you, the best part of yourself, where your finest and only true work comes from.
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