A Quote by Shirley Geok-lin Lim
In that way, I don't understand myself. It might have to do with my own conflicts, where to place my body as a child, which I have carried over to now. In this way I'm constantly dislocated.
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The solution is to change from the negative to the positive and one way to do that is to remember that failure is an event - it is not a person. Another way is to understand that your child might make a mistake, but the child is not a mistake
My dad, being a businessman, constantly talked to me about carrying myself in a certain way and treating people with respect. And I think that's something that's carried over throughout my life. It's how I deal with certain situations.
Even though I try not to overthink and dress the way I want to, I admit that there's way too much pressure on female actors to look good. I'm well aware that I don't have the perfect body type. I'm constantly struggling with myself to achieve the perfect body.
What I can say is that all my characters are searching for their souls, because they are my mirrors. I'm someone who is constantly trying to understand my place in the world, and literature is the best way that I found in order to see myself.
The way I move, the way I think, the way I handle myself - it might be by accident, but it's who I am, and I've just learned to own that.
I've always been very shy and sheltered; I think it was a good way of starting to communicate with people. I was taught as a child never to talk about myself, never to talk about my emotions. Of course, now I talk about myself constantly. Now I have to take reverse est.
I can only be the best version of myself and understand that the only way that we as a people can heal is to understand that the next person's journey may not be your own, but it doesn't mean that you have to marginalize them in any way.
For me, staying in place might mean staying with my own thoughts, even if the body keeps traveling. I might be experiencing new things, but I'm also here, with myself.
The way I played, the way my body was all over the place, not thinking about being careful for the next game or anything like that, I think fans liked it.
Every child has a right to its own bent. . . . It has a right to find its own way and go its own way, whether that way seems wise or foolish to others, exactly as an adult has. It has a right to privacy as to its own doings and its own affairs as much as if it were its own father.
The village is the place to which the roads tend, a sort of expansion of the highway, as a lake of a river.... The word is from the Latin villa, which together with via, a way, or more anciently ved and vella, Varro derives from veho, to carry, because the villa is the place to and from which things are carried.... Hence, too, the Latin word vilis and our vile, also villain. This suggests what kind of degeneracy villagers are liable to. They are wayworn by the travel that goes by and over them, without traveling themselves.
I'll burn myself, or I'll cut myself. For a burn or a cut might be shown, might be nursed, might scar or heal, would be a miserable kind of emblem; would anyway be there, on the surface of her body, rather than corroding it from within. Now the thought came to her again, that she might scar herself in some way. It came, like the solution to a problem: I won't be doing it like some hysterical girl. I won't be hoping she'll come catch me at it. It won't be like lying on the sitting-room floor. I'll be doing it for myself, as a secret.
All life on Earth is subject to the rumbles and rockings of the parent stucture which has no control over the disastrous effects of its stresses and strains on whatever thrives on its surface. The ambitions and dreams of men are irrelevant to this planetary giant which pursues its own way in its own manner. Man is its child, tenant and still, to this date, its captive.
If truth be known, I carried some rather potent messianic fantasies with me from childhood which I felt I had to control, otherwise I might end up in the loony bin. But when I made my way in the world I wanted to indulge myself in my fantasies to the extent that I could afford.
I might say: if the place I want to get to could only be reached by way of a ladder, I would give up trying to get there. For the place I really have to get to is a place I must already be at now. Anything that I might reach by climbing a ladder does not interest me.
The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.
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