A Quote by Shirley Hazzard
Italians are never punctual; the café, the convenient place to wait, absolves them from that. There is no question of hanging about, no looking lost and unwanted or even disreputable, as there is in hotel lobbies or the foyers of restaurants. One just sits and enjoys the scene, and waits.
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Am I in love? --yes, since I am waiting. The other one never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's fatal identity is precisely this: I am the one who waits.
The lobbies are always the best-looking place in the hotel-you wish you could bring out a cot and sleep in them. Compared to the lobby, your room always looks like a closet.
My desire to curtail undue freedom of speech extends only to such public areas as restaurants, airports, streets, hotel lobbies, parks, and department stores. Verbal exchanges between consenting adults in private are as of little interest to me as they probably are to them.
We stay in U2's hotel. They bought a hotel, The Clarence, a nice place and it's in an area where everything's happening, so many fantastic restaurants and bars and the people are so friendly.
I just can't think how I would go on without children having lost Edith already... It's too upsetting for me to write about them. Naturally, I still hope, and wait, wait, wait.
She left me the way people leave a hotel room. A hotel room is a place to be when you are doing something else. Of itself it is of no consequence to one's major scheme. A hotel room is convenient. But its convenience is limited to the time you need it while you are in that particular town on that particular business; you hope it is comfortable, but prefer, rather, that it be anoymous. It is not, after all, where you live.
For me, the best places to write are on planes, trains and at airports. Not hotel rooms but hotel lobbies. I'm really happy when I'm waiting for a plane and the message comes that it's three hours late. Great, I'll get to write!
Out of culinary school, I worked as a pastry cook in amazing restaurants for years. I ended up leaving the pastry cook scene because, though I loved the industry, the restaurants and the chefs I worked for so much, I had to be honest with myself. I was never going to be them.
I lost in the second round of the French Open and had 10 days off. I went to the Hard Rock Cafe. It was exciting to be away from my parents, to stay in a hotel. Hotels at 17 meant freedom.
I am in the Aleph, the point at which everything is in the same place at the same time. I'm at a window, looking out at the world and its secret places, poetry lost in time and words left hanging in space...sentences that are perfectly understood, even when left unspoken. Feelings that simultaneously exalt and suffocate.
A few years ago no hotel or restaurant in Boston refused Negro guests; now several hotels, restaurants, and especially confectionary stores, will not serve Negroes, even the best of them.
If I'm really excited about a scene, I used to wait to write it, and now I'll just write it. When you do that, all sorts of awesome things can happen from just giving in and writing that scene you're excited about.
Our young people are out on the streets looking for parties, a place to dance, looking for a scene. No institutions are providing them with alternatives, fun things to do that don't necessarily have alcohol at the center.
I've paid for more pianos in hotel lobbies than you can imagine.
I've never wanted to be part of an inner circle of any scene. I've always been an outsider looking to question and subvert.
To me, always just - that scene is, like, so convenient. They never run out of bullets in action movies, unless it's at the most dramatic time possible.
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