A Quote by Shirley Jackson

Life Among the Savages is a disrespectful memoir of my children. — © Shirley Jackson
Life Among the Savages is a disrespectful memoir of my children.
Savages!' he echoed, ironically. 'You set foot on one of the shores of this globe, professor, and you’re surprised to find savages? Where aren’t there savages? Besides, are they any worse than others, these whom you call savages?
When we affect to condemn savages, we should remember that by doing so we asperse our own progenitors; for they were savages also.Who can swear that among the naked British barbarians sent to Rome to be stared at more than 1500 years ago, the ancestor of Bacon might not have been found?--Why, among the very Thugs of India, or the bloody Dyaks of Borneo, exists the germ of all that is intellectually elevated and grand. We are all of us--Anglo-Saxons, Dyaks and Indians--sprung from one head and made in one image.
A lot of my songs are very personal, always, but this one felt like a memoir. I almost called it Hallucinated Memoir. "Granny" is a hallucinated memoir. It's straight-up symbolism for my life, in many ways.
A memoir forces me to stop and remember carefully. It is an exercise in truth. In a memoir, I look at myself, my life, and the people I love the most in the mirror of the blank screen. In a memoir, feelings are more important than facts, and to write honestly, I have to confront my demons.
Among human beings, the subjection of women is much more complete at a certain level of civilization than it is among savages. And the subjection is always reinforced by morality.
Progress, far from consisting in change, depends on retentiveness. When change is absolute there remains no being to improve and no direction is set for possible improvement: and when experience is not retained, as among savages, infancy is perpetual. Those who cannot remember the past are condemned to repeat it. In the first stage of life the mind is frivolous and easily distracted; it misses progress by failing in consecutiveness and persistence. This is the condition of children and barbarians, in which instinct has learned nothing from experience.
When white men first effect contact with some unspoilt race of savages, they offer them all kinds of benefits, from the light of the gospel to pumpkin pie. These, however, much as we may regret it, most savages receive with indifference. What they really value among the gifts that we bring to them is intoxicating liquor which enables them, for the first time in their lives, to have the illusion for a few brief moments that it is better to be alive than dead.
This doctrine of transmigration or reincarnation of the soul is found among many tribes of savages
The missionaries go forth to Christianize the savages - as if the savages weren't dangerous enough already.
The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.
Going from memoir to fiction was fantastic. I had been afraid to move away from memoir; I'd written some novel drafts, but they weren't well received by my agent at the time, and it had been drilled into me that "memoir outsells fiction two to one" (not sure if that's true anymore, or if it ever was), so I felt like the only smart thing to do, professionally, was to keep mining my life for painful moments to recapitulate.
The memoir as a somewhat indistinct form is absolutely true. So many of the memoirs I've read, and the ones I have gravitated toward most, somehow upend what I expect from memoir and the project seems greater than just the exposition of a life.
To write a good memoir you must become the editor of your own life, imposing on an untidy sprawl of half-remembered events a narrative shape and an organizing idea. Memoir is the art of inventing the truth.
I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.
A relation is formed betwixt every man and the fruits of his own labour, the very thing we call property, which he himself is sensible of, and of which every other is equally sensible. Yours and mine are terms in all languages, familiar among savages, and understood even by children. This is a fact, which every human creature can testify.
I'm not into this memoir craze that's been going on for 20 years now and doesn't seem to ever let up. People just indiscriminately say "memoir" now when it's a person writing about their own life.
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