I knew that somewhere God was laughing. He had taken the other half of my heart, the one person who knew me better than I knew myself, and He had done what nothing else could do. By bringing us together, He had set into motion the one thing that could tear us apart.
At 25, I had lost my job due to the economy, and my family wanted me to become a policeman or firefighter, but I knew there were other things out there for me. I sent some pictures to New York City and a model agency called and said, 'Where have you been?'
That's why I never took this business too seriously, thinking I was something special, when I knew the truly great performers in motion pictures. pictures.
My family said that a big firm was where you'd get the most opportunities. I knew nobody who had ever worked at a firm, nobody who knew anything about it. I just tried to get the best job I could.
I had now made about 45 pictures, but what had I become? I knew all too well: a phallic symbol. All over the world I was, as a name and personality, equated with sex.
I've done my bit for motion pictures-I've stopped making them.
I think, when I was 25, nobody in the world knew who I was.
I wasn't an actor. They they take the externals. Here I was, a kid thrown into Hollywood with a brand-new name, starring in motion pictures.
I knew I didn't have the right name for a singer. Having a name that nobody could pronounce was hardly an asset.
I never liked the name Eldred. Since nobody knew me in New York, I just changed to my middle name.
What happened to me during the last couple of years of 'The Partridge Family' was I became so famous and so isolated and so unhappy that I had to do anything I could to end it.
Filmmakers began to experiment with special effects almost as soon as motion pictures were invented. The history of special effects is the history of motion pictures.
An actress without talent, forty years old, ate a partridge for dinner, and I felt sorry for the partridge, for it occurred to me that in its life it had been more talented, more sensible, and more honest than the actress.
I had to prove everything because I was coming from Milan, and nobody knew me. I was a young talent who hadn't done anything, so I had it all to prove and all to do.
When I'm building my dome in my chapel, and I had a vision - I've worked on perpetual motion and I haven't never give it up yet. I still think it could be done, perpetual motion. I had a vision of a un resist able windmill.
I just had - we had instances - like, for instance, when I turned 13, she threw me a bar mitzvah. But nobody came.But nobody came because nobody knew what the hell that was. I only had black friends. No one knows what the hell you're doing.