A Quote by Shirley MacLaine

I've made so many movies playing a hooker that they don't pay me in the regular way anymore. They leave it on the dresser. — © Shirley MacLaine
I've made so many movies playing a hooker that they don't pay me in the regular way anymore. They leave it on the dresser.
Look at the parts the Oscar-nominated actresses played this year: hooker, hooker, hooker, hooker, and nun.
I'm very fortunate, and the movies that I've made, even from the very beginning, have been very eclectic. The thing for me is: Am I emotionally engaged in the idea? Is there something special about it? Does it capture my imagination? So everything that I do is simply something that turns me on. And I have the good fortune to be able to make bigger movies and television that ostensibly pay for the other ones. I don't mean literally finance the movies. But they allow me to work on things for very little pay. I do these things because I love them.
It's great to have loads of Marvel movies, but the movies that reflect our lives - that's why I came to the movies, and that's what I love. I want to see stories about my life being reflected back at me, and there's not that many of those anymore. It's a real shame.
And don't rush to make movies. Movies should be made when they're absolutely ready. There's too many bad movies being made.
Playing at Birmingham helped me grow as a goalkeeper: it made me better all round, being a regular part of a team.
People talk about that catch and, I've said this many times, that I've made better catches than that many times in regular season. But of course in my time, you didn't have a lot of television during the regular season. A lot of people didn't see me do a lot of things.
I had to learn how to not be a micro-manager. Maternity leave made me do that. I just couldn't anymore.
The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.
You don't have to paint your walls lime green just to try to have your home feel decorated. If you're a classic dresser or preppy dresser or a modern dresser, you wear a lot of black - whatever it is - your home should reflect that as well.
I was just a regular kid who was interested in studying, playing cricket, and watching movies.
Tom [Courtenay] and Albert Finney met Ron Harwood on the dresser, so that's how it started. It's a wonderful documentary. It's called Tosca's Kiss and Mr Hardwood told me about it when I asked him what the genesis was. It was made in 1983 and Verdi, who was rich and successful, toward the end of his life decided to build a mansion for himself in Milan, where he lived, and he stipulated that when he died opera singers and musicians - because he knew so many who were no longer playing at the Scala and some were poor - could live there.
You've got to pay me to leave my house, spend the night in hotels and fly in airplanes. That's what I get paid for. Playing I actually do for free.
I love being entertained sure, but the movies that I live for, the movies that I buy and think about and stay in my mind are the movies that entertain me but leave me with something a little uncomfortable to grapple with in the lobby.
'Tomorrowland' is very much the dream role for me. I've always wanted to do a movie like this. Movies like this aren't made anymore, and it's so cool that I get to be a part of it. I get to do something new and crazy every day, and my character goes through so many different things. I get to do all of it. It's awesome.
It gets harder and harder to make movies about human beings. These movies are like an endangered species. Everything is 'simplify, simplify' now. How many movies have sub-plots anymore?
I can't do this anymore," I cried, "Why won't you just leave me alone?" Because you would never leave me.
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