A Quote by Shirley Manson
I think young artists are always inspiring because they are coming at worlds from a different point of view.
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I have this exercise where I force myself to look out from the flower's point of view at these great walloping humans coming down the path, and try, just try and feel it from their point of view because it's a different world to them, a fascinating hard one.
I think you're always subjective because you always have a point of view, but I'm always sort of curious about what is the point of view I don't agree with. There is a truth in that because there always is.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
After games, my wife gives me a lot of advice and criticism. Sometimes, I am upset. I say, 'Why do you advise me this?' But I like it, because to listen to a different point of view is always important. You can find a different position or point of view that can help you to be more creative.
Animation is a fascinating area from an acting point of view because it's not really like anything else because you are only providing a portion of the performance. That's very inspiring and it forces you to do things in a different way - to tell stories through your voice.
I write in different styles because I hear different voices in my head. It would be boring to have always the same voice, point of view.
If you tailor your news viewing so that you only get one point of view, well of course you're going to think somebody else has got a different point of view, and it may be wrong.
There's a rumbling with young artists and young filmmakers that are dying to get different points of view, different stories, out there. It's all changing and happening and they're able to maybe not play their movies in theaters but get them on the internet. This is the new wave, the new world.
I'm a sexual person. A lot of different people turn me on and have over the years, and I've always wanted to make it very clear that this was not coming from some sort of antimale point of view.
I think it's just that as a creative person, in all the different things that I've done or ways that I've found to express myself, I've consistently come up against resistance in certain areas. I think that the world is not comfortable with female sexuality. It's always coming from a male point of view, and a woman is being objectified by a man - and even women are comfortable with that. But when a woman does it, ironically, women are uncomfortable with it. I think a lot of that has to do with conditioning.
The grandest and simplest things contain worlds within worlds. Seeing them is a matter of the right point of view, and your painter's eye is the special portal to such sights.
Traditions are imploding and exploding everywhere - everything is coming together, for better or worse, and we can no longer pretend we're all living in different worlds because we're on different continents.
I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.
I don't really enjoy working in TV, to be completely honest, even though it's incredibly lucrative, I'm just terrified of not being satiated in a myriad of different ways. It's amazing that I get to create every day, as an actor, or a director, or a writer, and I get to do it in a variety of different genres and worlds and characterizations. I think that's the great privilege of what we do, we get to make believe. I get to go to so many different places, try on different occupations, take on different points of view. That's what's always been sort of alluring.
At no time do I come from a cynical point of view. I'm coming from a concerned point of view.
I've always been a big proponent of point of view in cinema. Not necessarily that the point of view has to be subjective, but that in all great films the point of view has been taken into account and established.
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