A Quote by Shirley Temple

I liked work shoes and big, working-class hands. The stars would come and go, but the crew on my movies was my extended family. — © Shirley Temple
I liked work shoes and big, working-class hands. The stars would come and go, but the crew on my movies was my extended family.
Once you have a firefighter in your family, your family and the families from his crew become one big extended family.
The really successful work in England tends to be working-class writers telling working-class stories. The film industry has been slow to wake up to that, for a variety of reasons. It still shocks me how few films are written or made in England about working-class life, given that those are the people who go to movies.
I would have liked to do more big movies. And the reason I say that is not because I want to be a star, but what I would have liked to have done is reached a different audience with my work.
When I was a kid, I was watching the movies my parents wanted to watch. I came from a working class family, not specifically educated, so we were watching popular movies. My dad liked cowboy movies, so we were watching cowboy movies. Some of them were amazing. It’s a genre of movie I like very much.
When I was young, I grew up in a family of working-class people. Not just my parents, but my extended family, as well.
I come from a working-class family, and I've been working since I was 13, from babysitting to blueberry picking to factory work to bookstore work. And of course, being a mother and homemaker, the hardest work of all.
I have a funny relationship to the British working class movement... I'm in it, but not culturally of it... I was aware that I'd come from the periphery of this process. I was reluctant to go canvassing for the Labour party. I don't find it easy to say, straight, face to face with an English working class family: 'Are you going to vote for us?'
I never dreamt of being in the movies. I was from a very average, I would say, a rather poor family, so my big treat was to work hard all week - I mowed lawns and babysat and washed dishes and washed cars - to go to the movies.
I enjoyed the crew. The best part about 'The X-Files' has been the crew. This crew is an exceptional family and to go to work with a bunch of people that you really like is great. They're all the best of the best and they really try to do the best job they can. I'll miss that
I enjoyed the crew. The best part about 'The X-Files' has been the crew. This crew is an exceptional family and to go to work with a bunch of people that you really like is great. They're all the best of the best and they really try to do the best job they can. I'll miss that.
I get asked, 'Who would you really like to work with?' I'm already working with them. Smart, talented, funny people, good musicians, an extended family, good friends.
I suppose I don't have to work, but I do love working. I class myself as a working-class girl, and I've never stopped working. When I'm offered shows here, there and the other, I do an awful lot because I feel other people would love to be offered what I'm offered; who am I to say no? I'm definitely working class, and I always will be.
I came from a very middle class Maharashtrian family. It was a big step to get into movies. My family was shocked.
We're the country of movie stars because the stars, like ourselves, represent a kind of extended infantilism, beauties waiting for the big chance.
Working crew made me realise that the actors are a very small part of a very big machine, with each part being vital to make the show work. It so important to remember that it's not about you, it's about the show, and working crew hammered that point home to me.
I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.
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