A Quote by Shirley Temple

Movies mirror the times, they do not create them. — © Shirley Temple
Movies mirror the times, they do not create them.
I want to create a collection, almost like a trilogy of sorts. Whereas 'Milk and Honey' was very much like holding a mirror up to yourself, the second book is turning that mirror around and fixing it on the world. The book is a reflection of the times we are in.
Pure photography allows us to create portraits which render their subjects with absolute truth, truth both physical and psychological. That is the principal which provided my starting point, once I had said to myself that if we can create portraits of subjects that are true, we thereby in effect create a mirror of the times in which those subjects live.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
An often-repeated assertion in the body of film criticism I have written is the assertion that movies do not just mirror the culture of any given time; they also create it.
I think movies probably are a mirror in some way so we can see ourselves in them.
In the 1950s, we had all these B-grade science-fiction movies. The point was to scare the public and get them to buy popcorn. No attempt was made to create movies that were somewhat inherent to the truth.
Movies are movies. Some bend light through a lens. Some create moving images virtually. At the end of the day, movies are movies.
I did a series of these soft-core horror movies called 'Mirror Mirror.' I got killed in 'em all - and each time, I came back as a different character. They were all straight-to-video.
In essence, we're imaging the same cell for anywhere from forty to a hundred thousand times to create one of the movies that we see.
I like to make movies on the west side of the Mississippi River, and a lot of times, the movies I direct have horses and big hats in them and get called westerns, but that's okay. I used to resent that, but I don't anymore.
I have two little kids and I enjoy watching movies with them, and I can't watch every movie with them. Sometimes it's because it's obviously not appropriate to watch The Bourne Identity with your kids, but a lot of times it's because it's torture to watch the movies that they want to watch, as a parent.
I'm a big fan of Clint Eastwood, but the Westerns I draw from most directly come from an earlier period in Hollywood. I actually look back at movies like 'Rio Bravo' and others I've liked over the years, and I capture pictures from the movies and use them as a reference for the scenes I create.
At times the mirror increases a thing’s value, at times denies it.
Let Go of Your Worries Let go of your worries and be completely clear-hearted, like the face of a mirror that contains no images. If you want a clear mirror, behold yourself and see the shameless truth, which the mirror reflects. If metal can be polished to a mirror-like finish, what polishing might the mirror of the heart require? Between the mirror and the heart is this single difference: the heart conceals secrets, while the mirror does not.
I'm a huge fan of Peter Jackson's 'Lord of the Rings' movies - I went to all three of them on the day they opened and have seen all of them several times since.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another countrys movies.
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